剧情简介
《盲目=的丈夫们》讲述的是什么故事？
《盲目=的丈夫们》Two diff+=erence_%@^s between th!@$is [ Austrian versi#on an^d the#@% ge@?n :erall:( y .:a./vailable America;n version .+ are immediately obvious th e y :;dif$fer b/ ]oth i /n their le\ngth and *in th-e language of the ][ ]in_tertit^-%_-les. ()The [# American version is only`. 1,883 me*t`res lon# g)= - at 18 fr; ames p]er\ second a differen#ce of some/ 7 minutes t:o the Au #!st(%rian vers;? ion with 2,045 :metres. Whereas we ori \@[g! )`in=^ al ,)\ly p (resu % me)d only a negligi; ble difference,_ resulting fr)!=om the# varying length of the i\_n%tert`itles, a d/_ irect com =pariso]$-+n.! has n# everthel es?s shown @$that th!e Austrian version differs from the America`n,, version both_ in th\e mon. ?^tage and in the durati * on of# ind-i=/vidua+ l s ce#n ] es. Y#et how c/#ould it hap [pen ;$that the later reg!(iona;\%l distri.bution of a canonical US silen t fil ? m was% longe*r than $ the!_; original + version * T)^he prevale:n !t America^n +`versio^n of Bl(in.,d H_ ()usbands does not cor (r,;e$$s#]pond to )= `th !e ve!rsion#^^ shown at the premiere of - 1919.(, This l[ it?$tle*-known fact wa )s alr;eady published by), Richar\d ? Kos*zarski ; .in 198,3. ? The _film:$\@ was re-rel eased by Universal Pic+/]tures in 1!924,?@` in a %version t,hat (+^wa $s 1,365 feet] (4-1__)@6 metr\]es) s hor(? t] er. -%At 18 f^?-r $\ames p er =!sec`^ond, this amounts to a t$$#ime diff: eren\ce of 2(0 minutes! Tit(;le? !s were alt%]*ered, sn*?ippets :of ac \!ti@`@on removed a))-nd a;;[*t least one major scene )]taken ou@! t e\ ntire)-%]ly, where ?(]von Steuben and@ Marga- r(= et])!( (v %i,#$si(\ =t a s@)mall ?;%loc $al chapel. (%,Kos%;zarski) . F+rom t] he present sta/te of resear =c$h w@ e can! a`@ssu] me that a*ll the known American copies of/! the film derive from t;^his sh^)ortened re_--release version, a copy of whi:ch Uni\v\e-*%_rsal * do/+nated to the Museum +/$of Mo.dern Ar;`t in 1941. Accord: ing to Kos?# zarski th)e/): original nega;[*ti!/ ve of th- :e f ?ilm was destroye`/d@` som!etime b+$\ etween 1956 and 1961 an d has t$`]\herefore been irretr[ievably lost ^=. This inf -;$ormatio-!$n casts a%]n =?i= \n\teres^# \ting@`= light --?on;$ the Au:$strian version, +` *w-!hi-/ch can +be da: /ted t^ ,o the. period_(] ; bet$( ween the s (ummer of 1921-[$ and$)!% the]* :winter , of 19 +$22. Furthermore, the )c: opy is s?=ome 200 me @t res=( longer than th] :e US.) version of\ 1924. ! If #:%one follow/:s the details given by$/ Ri@ [c* hard Koszars)k]@i and Art (:hur Le=nnig=, this ;means that,, * ^as far a#s both its !![d!?ate and its lengt !h are concer+()(ned,,^ \ !=t+*h%e Austrian v ersion ))%lies ,+al* most exactl!;@y#[ in th ^e middle )/bet+# wee;n .`#the _%(lost) v]:+ersion s=how!.n at the premiere and the re-released one-#.A large$] part of the addi !tional ]@\!lengt]h of the film c`$an ) *be(; traced to cuts+ +that were made% t?o )-]the 1^\924 ver@ % sion in almost e@very shot . . K+` o[sza * ]r[[)sk : *i describes h #o/ w the beginning^ %@ and the en ]d of scenes w? ere trim$: med, in order to spe%ed up the film.@ How`ev e$_(r, mo$ r e exciting ) /wa; s the discovery t!hat th; e[. Aus:trian version c` ?=on!/tains shots that a: (re missing in the Americ:an /%one - shotscoun ?tershots, intertitles -,# ` an d fur[ther*-)mor- ,e shows;) di f(`(ferences in its montage ( $%i.e. the * pla#$ ci?, ng ,?-o*(,-(f the i.@ndividual shots within [a - s eq-_u( ence)(-].. All ^ this,#^ indic `ates th!$:at _Die Rache de@!r B\!e@ ^$rg:)(+e constitutes the ol#+dest and - most com#`ple $.tely pres^)erved mat erial of +the film.
一、《盲目=的丈夫们》是哪一年上映的？
《盲目=的丈夫们》是埃里克·冯·施特罗海姆于1919年拍摄的一部经典剧情片。此片开创美国当代剧情片的先河，《盲目=的丈夫们》上映时票房稳坐前三，创下当年纪录。当时萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming均为最佳主角，萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming以精彩演技和突出形象，奠定在美国影坛地位。萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming饰演角色造型多年后仍为人所模仿。埃里克·冯·施特罗海姆之前曾被人怀疑其能力，而《盲目=的丈夫们》却奠定埃里克·冯·施特罗海姆剧情片风格。《盲目=的丈夫们》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1919年代）美国（美国）优秀剧情片齐名。
二、被称为剧情片的开先河之作的《盲目=的丈夫们》，是埃里克·冯·施特罗海姆最好的作品吗?
从埃里克·冯·施特罗海姆斩获剧情片最佳导演 我就觉得这部《盲目=的丈夫们》是他最好的剧情片。虽然埃里克·冯·施特罗海姆后来还拍出来了评价特别好的剧情片，但是《盲目=的丈夫们》是他剧情片的代表作品。
三、《盲目=的丈夫们》为什么可以成为经典？
提起美国，人们就肯定会说出《盲目=的丈夫们》的名字。这部由埃里克·冯·施特罗海姆导演，萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming主演的《盲目=的丈夫们》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连埃里克·冯·施特罗海姆导演和萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming，都没想到这部剧情片会得到这样好的反响。埃里克·冯·施特罗海姆先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《盲目=的丈夫们》开拍之前，萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming已经有几年年无戏可拍，而萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming主演的剧情片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在剧情片中投入的热情，是我们难以想象的，其实《盲目=的丈夫们》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典剧情片，也成就了他们自己！
四、如何评价《盲目=的丈夫们》?
《盲目=的丈夫们》口碑非常好深受广大观众喜爱，《盲目=的丈夫们》一经播放立刻引来无数人点赞，不仅萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming演的好而且该剧情片故事情节也非常紧凑，星空影院（msdts.com）观看起来特别流畅同时还能扣人心弦，虽然目前《盲目=的丈夫们》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧情片主演萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming，她在该剧情片中的演技可圈可点，受到萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming演的好而且该剧情片迷的认可。
五、《盲目=的丈夫们》剧情片的主要内容
《盲目=的丈夫们》是一部剧情片剧情片，由导演：埃里克·冯·施特罗海姆执导，主演：萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming
《盲目=的丈夫们》Two diff+=erence_%@^s between th!@$is [ Austrian versi#on an^d the#@% ge@?n :erall:( y .:a./vailable America;n version .+ are immediately obvious th e y :;dif$fer b/ ]oth i /n their le\ngth and *in th-e language of the ][ ]in_tertit^-%_-les. ()The [# American version is only`. 1,883 me*t`res lon# g)= - at 18 fr; ames p]er\ second a differen#ce of some/ 7 minutes t:o the Au #!st(%rian vers;? ion with 2,045 :metres. Whereas we ori \@[g! )`in=^ al ,)\ly p (resu % me)d only a negligi; ble difference,_ resulting fr)!=om the# varying length of the i\_n%tert`itles, a d/_ irect com =pariso]$-+n.! has n# everthel es?s shown @$that th!e Austrian version differs from the America`n,, version both_ in th\e mon. ?^tage and in the durati * on of# ind-i=/vidua+ l s ce#n ] es. Y#et how c/#ould it hap [pen ;$that the later reg!(iona;\%l distri.bution of a canonical US silen t fil ? m was% longe*r than $ the!_; original + version * T)^he prevale:n !t America^n +`versio^n of Bl(in.,d H_ ()usbands does not cor (r,;e$$s#]pond to )= `th !e ve!rsion#^^ shown at the premiere of - 1919.(, This l[ it?$tle*-known fact wa )s alr;eady published by), Richar\d ? Kos*zarski ; .in 198,3. ? The _film:$\@ was re-rel eased by Universal Pic+/]tures in 1!924,?@` in a %version t,hat (+^wa $s 1,365 feet] (4-1__)@6 metr\]es) s hor(? t] er. -%At 18 f^?-r $\ames p er =!sec`^ond, this amounts to a t$$#ime diff: eren\ce of 2(0 minutes! Tit(;le? !s were alt%]*ered, sn*?ippets :of ac \!ti@`@on removed a))-nd a;;[*t least one major scene )]taken ou@! t e\ ntire)-%]ly, where ?(]von Steuben and@ Marga- r(= et])!( (v %i,#$si(\ =t a s@)mall ?;%loc $al chapel. (%,Kos%;zarski) . F+rom t] he present sta/te of resear =c$h w@ e can! a`@ssu] me that a*ll the known American copies of/! the film derive from t;^his sh^)ortened re_--release version, a copy of whi:ch Uni\v\e-*%_rsal * do/+nated to the Museum +/$of Mo.dern Ar;`t in 1941. Accord: ing to Kos?# zarski th)e/): original nega;[*ti!/ ve of th- :e f ?ilm was destroye`/d@` som!etime b+$\ etween 1956 and 1961 an d has t$`]\herefore been irretr[ievably lost ^=. This inf -;$ormatio-!$n casts a%]n =?i= \n\teres^# \ting@`= light --?on;$ the Au:$strian version, +` *w-!hi-/ch can +be da: /ted t^ ,o the. period_(] ; bet$( ween the s (ummer of 1921-[$ and$)!% the]* :winter , of 19 +$22. Furthermore, the )c: opy is s?=ome 200 me @t res=( longer than th] :e US.) version of\ 1924. ! If #:%one follow/:s the details given by$/ Ri@ [c* hard Koszars)k]@i and Art (:hur Le=nnig=, this ;means that,, * ^as far a#s both its !![d!?ate and its lengt !h are concer+()(ned,,^ \ !=t+*h%e Austrian v ersion ))%lies ,+al* most exactl!;@y#[ in th ^e middle )/bet+# wee;n .`#the _%(lost) v]:+ersion s=how!.n at the premiere and the re-released one-#.A large$] part of the addi !tional ]@\!lengt]h of the film c`$an ) *be(; traced to cuts+ +that were made% t?o )-]the 1^\924 ver@ % sion in almost e@very shot . . K+` o[sza * ]r[[)sk : *i describes h #o/ w the beginning^ %@ and the en ]d of scenes w? ere trim$: med, in order to spe%ed up the film.@ How`ev e$_(r, mo$ r e exciting ) /wa; s the discovery t!hat th; e[. Aus:trian version c` ?=on!/tains shots that a: (re missing in the Americ:an /%one - shotscoun ?tershots, intertitles -,# ` an d fur[ther*-)mor- ,e shows;) di f(`(ferences in its montage ( $%i.e. the * pla#$ ci?, ng ,?-o*(,-(f the i.@ndividual shots within [a - s eq-_u( ence)(-].. All ^ this,#^ indic `ates th!$:at _Die Rache de@!r B\!e@ ^$rg:)(+e constitutes the ol#+dest and - most com#`ple $.tely pres^)erved mat erial of +the film.