剧情简介
《欧洲的某个\地方》讲述的是什么故事？
《欧洲的某个\地方》Somewh^ e# ^re in^ the remote region, the ,$war ends- `[. In the midst of ruin]`ed cities `=^ a?+nd houses in the stre\ets, in?]] rur[al [*hamlets, e/(verywhere where p%[,^eo\ ple stil [ `-l live, ar/(e $ child(*r-.en ?wh ,o have lo(@=! s(]%;t their h@omes and par ents. Abandoned, hung$(] ry, and in rags, defens /@\el=?ess an;d h u!`(=miliated, +they w - an) der through: /%( the worl*d. -?Hunger driv@es t $[#hem. Little streams of orpha,?;n ?s_ merge in#to a river w,+-hich r@.ushe@ ]\s for;war- d ][=a*nd s*ubmerges everyth_!_ing in its =$pa:th.(; The childre+;+n do\ + not know any`!=% feeli^%ng; they.!* # k/.@now ,*( onl %-y the w!,/orl d( ? (@(of t hei .r enemi@ (es. ]They fight[,$=? steal, struggle for !a )@m outhful of $f ood]%, an d violence is merely a means to ge:*t it. A gang led by $ Ca ^.?houn finds a: re .fu$;]ge in an aband# oned castle and enco-un!ters /=an \_old composer- :$.who has vo@! lunta; /_rily retir #ed in?to solitu de from a (world of ?hatred_:^,/ trea`].so/n, and c% rime. How] =can th ey find a common +%gr%oun # d, h@!ow =ca=n th_ey beco%\ *me m?.:utu `a/ /l:/=# frie^nds Th\ e castl;%e *[%_beco%^m# e;s their hid=^ i% ^ng p!,:*l! \ ac *=e but possi)b (#ly \[^i+ t wil [l al ,so @be]% their fi#@rst ; +home which) the!^^y /?m^^,a([y _; orga (nize ] ?and mus* t d. ^efend-. But even for th ^ i@$s,@ ? the pr!@]^i:ce will be ver`.y high?=. To this simple story, the journalist:*`, writer,(/ poet, @scrip ]twri$ %te,r, movie dir`e %%ctor, and ;#film theoreticia/ n Bél.)a Baláz:(s#/ app]/ ` lied many !year,**s+!] of experience. H$e , and [the director # Géza %Radványi ) $creat` @ed a .% work which o\, pene,.,d a new postwar chapter in Hungarian fi__-lm. [Surpr ?isi,,!n!gly, thi _(;s #\%fi lm has no[$ t lo (st any of _- ,its i?#,mpact over the []years, espe @ci=-ally on :?a p*r\ ofound philoso / phical(!] level. That is to say, it is not merely a % movie about w,ar; it is _!n $. o t import+ant in w\- hat lo#][+ cat/-ion and in what period o`\%_f t]ime it ta(=kes plac@e.[ It is a story outsid ,.e of time about the joyles*.- s fate +\ of c%(;hi+!ldren^ wh!o @pay dearly for t?)he c:ru:el war gam# es of ? adult/#;-s. At t =h e time _it was p [remi]@ered, t[ $h \ e movie[ w:^ ;as enthusiast=[(+icall_$]y *$),received by th[] e critics. The ma: in r /`ol %es were tak?_en !]by streetwi_ -se boys o?;f a child ?(\ren@'s group who cre@ated their #_`roles() [!imp%=^rovis^/)+@ationally in c*\+los@)e co[_ntact with a f ;ew prof:essional act* ors, and in . the children's a.]cti` ]ng their ow/\ n fresh experi.%*+*ence of wa, ]r's turmoil (ap )pears to :=# be re )?flected.!@% At % ]the same t$ime, th[+eir :;perfor.% mance fits admirably into the m= osaic of a ve (r=y complex movi* [e $%*l angua_ ge. Baláz%@:;/s's i[?nfluence;^ revealed itsel/f, ab^+`ove all, in the int!!:#_roduct`#`ory\% sequ*!e*/n.ces_ $ an air raid o`$n a+-n amusement park, seen i%=+n+# a,( montage o f dra[.matic s`;ituatio.ns ev oking[#( the la [st!?, sp[asms of wa$) =r, wh;[:ere,^## undoubtedl \y, w )e di^-scern the influence /#=$of classical Soviet c= inematog$+ raphy. Sh `ootin,g, the b;oy's#+[ escape, $%[t$he locomotive's wheels, the sha.,*dows%/ of soldiers with *# su b(machine g (uns, the so )und of = _-a whistle—the images ar]e .@li:!nked together in abrupt se+q(`u en[ces i \n w hi %ch varying shots and exp( re;ssi;ve sharp sounds are emph ,asi_/zed. A perfe/ ctl @y planned scr%;$eenplay avoide-d all @(e %lements+ of sentimenta@!lity, time-)=worn ster,).eotypes of wronge *d ch i_ldren, . r o+m .anticism and chea-^p simplifica)`+tion. The a .uthors suc [-ceeded in bridging ] t(:he = per#-i]#lous dr:-]amatic abyss of , the me*=tamorphosis of ^:,a ch **ildren's co;/:m\ +,mu/] nity. ,$$ $Thei_#r =#tel+_[ling of the story (the scene of @_)pillaging, t]*he as(/`sa _[ult on the )castle, e-tc) i;ndepe. (ndently introd$#uce d some[# neore:alist el)ements w.! hich, at that$ time, w(+_ er!=\e+# being propaga\\t_- ed[ in Italy by De Sica, Ross,el. _l@.i@n i, an+d other film a^( rt_ ists$_. The r!)#eb[u ,kes of con_:temporary critics+: :, who called atten ] tion to formali /#.sm for it,s own [)# s .\-ake have :)be,e n forgotten. The _ masterl-_y =$ art of + ?cameraman Barna ?bás* ` H$$ egyi give$s vi#t?a$( l`. ity !to the p( oetic image)*,s. H##is angl[ (e shots ] ]of; t-!he @%c #hildren(, his #()^c,omposi tion of-\ scenes in th,.[e castle interior,\ / a$.re a li +-(_vin:`g document of the times, and u$$nderline the atmosphere= a!% nd , the /ch#aract : _ers?, of the protagonists. ?/The suc= \cess ; o:f the picture was also*= enhanced by the %) music[ al art% ! of composer #Dén?^e ((s Bu% day who ;, in +tens\. e sit*uations, in%serted t=^he th eme of the ] Marseilaise into the m)ov-@$ie's s)+*tructure$=/, as !- a mo + tive of +!#c%#?.ommunity unificat@io )n, a(%^^s an expre : ssion o-f friendship an^d the pos%#sibilit.-y of underst a ndin,+#`g. Valahol Europa``ban:\! is the first signifi cant[ po.stwar Hunga\[rian ?-fil[ !m. +]It ori;+ *ginated +\in a[ re=+/l?/a[[ xe-d ,=/atm%+ os;@phere, reple te with joy and euphoria, and it in%clude @ s these ele @`ment@) s i?$n- _ order to demon] strat`% .e the stre ngth of h,`+um:?a=nism/, t *ole--/ra,._nce, a?n d frien;^ds:*$hip?. It repr )ese*nts a g@%_\eneral cond( e (mnat `io .n of war anywhere#$ $ in the world$, in any form.
一、《欧洲的某个\地方》是哪一年上映的？
《欧洲的某个\地方》是Radványi,Géza于1948年拍摄的一部经典剧情片。此片开创其它当代剧情片的先河，《欧洲的某个\地方》上映时票房稳坐前三，创下当年纪录。当时Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki均为最佳主角，Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki以精彩演技和突出形象，奠定在其它影坛地位。Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki饰演角色造型多年后仍为人所模仿。Radványi,Géza之前曾被人怀疑其能力，而《欧洲的某个\地方》却奠定Radványi,Géza剧情片风格。《欧洲的某个\地方》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1948年代）其它（其它）优秀剧情片齐名。
二、被称为剧情片的开先河之作的《欧洲的某个\地方》，是Radványi,Géza最好的作品吗?
从Radványi,Géza斩获剧情片最佳导演 我就觉得这部《欧洲的某个\地方》是他最好的剧情片。虽然Radványi,Géza后来还拍出来了评价特别好的剧情片，但是《欧洲的某个\地方》是他剧情片的代表作品。
三、《欧洲的某个\地方》为什么可以成为经典？
提起其它，人们就肯定会说出《欧洲的某个\地方》的名字。这部由Radványi,Géza导演，Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki主演的《欧洲的某个\地方》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连Radványi,Géza导演和Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki，都没想到这部剧情片会得到这样好的反响。Radványi,Géza先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《欧洲的某个\地方》开拍之前，Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki已经有几年年无戏可拍，而Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki主演的剧情片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在剧情片中投入的热情，是我们难以想象的，其实《欧洲的某个\地方》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典剧情片，也成就了他们自己！
四、如何评价《欧洲的某个\地方》?
《欧洲的某个\地方》口碑非常好深受广大观众喜爱，《欧洲的某个\地方》一经播放立刻引来无数人点赞，不仅Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki演的好而且该剧情片故事情节也非常紧凑，星空影院（msdts.com）观看起来特别流畅同时还能扣人心弦，虽然目前《欧洲的某个\地方》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧情片主演Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki，她在该剧情片中的演技可圈可点，受到Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki演的好而且该剧情片迷的认可。
五、《欧洲的某个\地方》剧情片的主要内容
《欧洲的某个\地方》是一部剧情片剧情片，由导演：Radványi,Géza执导，主演：Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki
《欧洲的某个\地方》Somewh^ e# ^re in^ the remote region, the ,$war ends- `[. In the midst of ruin]`ed cities `=^ a?+nd houses in the stre\ets, in?]] rur[al [*hamlets, e/(verywhere where p%[,^eo\ ple stil [ `-l live, ar/(e $ child(*r-.en ?wh ,o have lo(@=! s(]%;t their h@omes and par ents. Abandoned, hung$(] ry, and in rags, defens /@\el=?ess an;d h u!`(=miliated, +they w - an) der through: /%( the worl*d. -?Hunger driv@es t $[#hem. Little streams of orpha,?;n ?s_ merge in#to a river w,+-hich r@.ushe@ ]\s for;war- d ][=a*nd s*ubmerges everyth_!_ing in its =$pa:th.(; The childre+;+n do\ + not know any`!=% feeli^%ng; they.!* # k/.@now ,*( onl %-y the w!,/orl d( ? (@(of t hei .r enemi@ (es. ]They fight[,$=? steal, struggle for !a )@m outhful of $f ood]%, an d violence is merely a means to ge:*t it. A gang led by $ Ca ^.?houn finds a: re .fu$;]ge in an aband# oned castle and enco-un!ters /=an \_old composer- :$.who has vo@! lunta; /_rily retir #ed in?to solitu de from a (world of ?hatred_:^,/ trea`].so/n, and c% rime. How] =can th ey find a common +%gr%oun # d, h@!ow =ca=n th_ey beco%\ *me m?.:utu `a/ /l:/=# frie^nds Th\ e castl;%e *[%_beco%^m# e;s their hid=^ i% ^ng p!,:*l! \ ac *=e but possi)b (#ly \[^i+ t wil [l al ,so @be]% their fi#@rst ; +home which) the!^^y /?m^^,a([y _; orga (nize ] ?and mus* t d. ^efend-. But even for th ^ i@$s,@ ? the pr!@]^i:ce will be ver`.y high?=. To this simple story, the journalist:*`, writer,(/ poet, @scrip ]twri$ %te,r, movie dir`e %%ctor, and ;#film theoreticia/ n Bél.)a Baláz:(s#/ app]/ ` lied many !year,**s+!] of experience. H$e , and [the director # Géza %Radványi ) $creat` @ed a .% work which o\, pene,.,d a new postwar chapter in Hungarian fi__-lm. [Surpr ?isi,,!n!gly, thi _(;s #\%fi lm has no[$ t lo (st any of _- ,its i?#,mpact over the []years, espe @ci=-ally on :?a p*r\ ofound philoso / phical(!] level. That is to say, it is not merely a % movie about w,ar; it is _!n $. o t import+ant in w\- hat lo#][+ cat/-ion and in what period o`\%_f t]ime it ta(=kes plac@e.[ It is a story outsid ,.e of time about the joyles*.- s fate +\ of c%(;hi+!ldren^ wh!o @pay dearly for t?)he c:ru:el war gam# es of ? adult/#;-s. At t =h e time _it was p [remi]@ered, t[ $h \ e movie[ w:^ ;as enthusiast=[(+icall_$]y *$),received by th[] e critics. The ma: in r /`ol %es were tak?_en !]by streetwi_ -se boys o?;f a child ?(\ren@'s group who cre@ated their #_`roles() [!imp%=^rovis^/)+@ationally in c*\+los@)e co[_ntact with a f ;ew prof:essional act* ors, and in . the children's a.]cti` ]ng their ow/\ n fresh experi.%*+*ence of wa, ]r's turmoil (ap )pears to :=# be re )?flected.!@% At % ]the same t$ime, th[+eir :;perfor.% mance fits admirably into the m= osaic of a ve (r=y complex movi* [e $%*l angua_ ge. Baláz%@:;/s's i[?nfluence;^ revealed itsel/f, ab^+`ove all, in the int!!:#_roduct`#`ory\% sequ*!e*/n.ces_ $ an air raid o`$n a+-n amusement park, seen i%=+n+# a,( montage o f dra[.matic s`;ituatio.ns ev oking[#( the la [st!?, sp[asms of wa$) =r, wh;[:ere,^## undoubtedl \y, w )e di^-scern the influence /#=$of classical Soviet c= inematog$+ raphy. Sh `ootin,g, the b;oy's#+[ escape, $%[t$he locomotive's wheels, the sha.,*dows%/ of soldiers with *# su b(machine g (uns, the so )und of = _-a whistle—the images ar]e .@li:!nked together in abrupt se+q(`u en[ces i \n w hi %ch varying shots and exp( re;ssi;ve sharp sounds are emph ,asi_/zed. A perfe/ ctl @y planned scr%;$eenplay avoide-d all @(e %lements+ of sentimenta@!lity, time-)=worn ster,).eotypes of wronge *d ch i_ldren, . r o+m .anticism and chea-^p simplifica)`+tion. The a .uthors suc [-ceeded in bridging ] t(:he = per#-i]#lous dr:-]amatic abyss of , the me*=tamorphosis of ^:,a ch **ildren's co;/:m\ +,mu/] nity. ,$$ $Thei_#r =#tel+_[ling of the story (the scene of @_)pillaging, t]*he as(/`sa _[ult on the )castle, e-tc) i;ndepe. (ndently introd$#uce d some[# neore:alist el)ements w.! hich, at that$ time, w(+_ er!=\e+# being propaga\\t_- ed[ in Italy by De Sica, Ross,el. _l@.i@n i, an+d other film a^( rt_ ists$_. The r!)#eb[u ,kes of con_:temporary critics+: :, who called atten ] tion to formali /#.sm for it,s own [)# s .\-ake have :)be,e n forgotten. The _ masterl-_y =$ art of + ?cameraman Barna ?bás* ` H$$ egyi give$s vi#t?a$( l`. ity !to the p( oetic image)*,s. H##is angl[ (e shots ] ]of; t-!he @%c #hildren(, his #()^c,omposi tion of-\ scenes in th,.[e castle interior,\ / a$.re a li +-(_vin:`g document of the times, and u$$nderline the atmosphere= a!% nd , the /ch#aract : _ers?, of the protagonists. ?/The suc= \cess ; o:f the picture was also*= enhanced by the %) music[ al art% ! of composer #Dén?^e ((s Bu% day who ;, in +tens\. e sit*uations, in%serted t=^he th eme of the ] Marseilaise into the m)ov-@$ie's s)+*tructure$=/, as !- a mo + tive of +!#c%#?.ommunity unificat@io )n, a(%^^s an expre : ssion o-f friendship an^d the pos%#sibilit.-y of underst a ndin,+#`g. Valahol Europa``ban:\! is the first signifi cant[ po.stwar Hunga\[rian ?-fil[ !m. +]It ori;+ *ginated +\in a[ re=+/l?/a[[ xe-d ,=/atm%+ os;@phere, reple te with joy and euphoria, and it in%clude @ s these ele @`ment@) s i?$n- _ order to demon] strat`% .e the stre ngth of h,`+um:?a=nism/, t *ole--/ra,._nce, a?n d frien;^ds:*$hip?. It repr )ese*nts a g@%_\eneral cond( e (mnat `io .n of war anywhere#$ $ in the world$, in any form.