剧情简介
《拉莉`?萨》讲述的是什么故事？
《拉莉`?萨》A loving f#-!ilm t r).ibute to Rus ^sian filmmaker Larisa Shepitko, who +d`ied .tragicall=[y in a _) c(*=ar ac? ciden.t:\ in 19#7?;?,9 ? at the ^!age of 40. This docum^ e]!ntary by her husband, El em %`Kli%],mo+ v, in);?clude#s excerpts ] from all of Shepitko# 's fi`:l%$,!m ?s, ?@ @and _her own_-; voice is heard talkin)%g about her lif !e and art. Elem Klim+!o(v's grief-@@stricke(n elegy ;%Lari ,sa ?e xamines the life of his ^ late ?^wif /e—the fi*?lm : director Larisa ^.She) _pitko— @through a s ?$eries+* of d-% irec%=t-addr$ess intervi/`ews and p=:hotom__ontages, set\=( : against a mournful (,v#; ]isu/_ $a;,/ l=-%#^m `usical back: ?d *r-*`op. %=Typi*`.cal ly, Klimov films his subje:/cts (which include himself and , =-se%veral of Shepit^/ko's _ collabo \rators%)$ +withi=n a stark, snow -cove?%^/red forest, its tangled\ we(b of tree=)s st? [anding i#n as%_ metaphor-+!_ical representat ion o !f a _\perha-=ps % inex]pr^essible suff) =ering, the re sult of Shepitko's %-prematu:_ re d^eat*h while ) fi- lming ,,:her adapta_tion o.(f Valenti/n @Ra# sputin's novella Far ]ewell to Matyora(. Interweavi \;ng- ) home movie f ootage with seque @#n, ces from S* )he)pitko?! 's work ( [Maya Bulgakov^+@a's pensive plane crash re miniscence from Wings (-ta^kes^ `.on se\ `(ver# ^al new `la @yers of: re %-sonance in th(:is +#contex =.t), Laris`)a's _; mo)!st powerful pa@,ssage is its fir(st ac comp ?anie (*d )#:by [\the grandio^`s- #e _.@fina+l_! music cue from*- S.hepitko's You a nd I, Klimo +v ]@,dis% s*!\^^ol#ves between a serie`_+s of per-s#on- al photo grap!+hs.@() that ,%. encom p\! ass L:? *arisa's e!ntir?,e -[lif#?[e$, from bi_rt h=_ to death. #[$T h.-is brief sy) m\^phon ]*?y of : -sorrow a#=nticipates th`*!e cathartic revers$:e- motio^! n/@+ cl/ im!/ a\x o`f K#,;l %imov's (?Come and See, tho![ugh / ]by placin (g the sc*ene fi +*rst within. Larisa's chronology,^ Kl(-imov s,?eems to be=. working against ! :c.atharsi-s. The?; pain is cle ;arl^y fresh, ,+th:@ `?e wou+]nd stil.#l fest[#erin #g, and Klimov$ wa_nts—abo,ve ; )all—to capture h ^+ ow deep misery's knife has cut.
一、《拉莉`?萨》是哪一年上映的？
《拉莉`?萨》是依莱姆·克里莫夫于1980年拍摄的一部经典剧情片。此片开创其它当代剧情片的先河，《拉莉`?萨》上映时票房稳坐前三，创下当年纪录。当时依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta均为最佳主角，依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta以精彩演技和突出形象，奠定在其它影坛地位。依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta饰演角色造型多年后仍为人所模仿。依莱姆·克里莫夫之前曾被人怀疑其能力，而《拉莉`?萨》却奠定依莱姆·克里莫夫剧情片风格。《拉莉`?萨》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1980年代）其它（其它）优秀剧情片齐名。
二、被称为剧情片的开先河之作的《拉莉`?萨》，是依莱姆·克里莫夫最好的作品吗?
从依莱姆·克里莫夫斩获剧情片最佳导演 我就觉得这部《拉莉`?萨》是他最好的剧情片。虽然依莱姆·克里莫夫后来还拍出来了评价特别好的剧情片，但是《拉莉`?萨》是他剧情片的代表作品。
三、《拉莉`?萨》为什么可以成为经典？
提起其它，人们就肯定会说出《拉莉`?萨》的名字。这部由依莱姆·克里莫夫导演，依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta主演的《拉莉`?萨》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连依莱姆·克里莫夫导演和依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta，都没想到这部剧情片会得到这样好的反响。依莱姆·克里莫夫先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《拉莉`?萨》开拍之前，依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta已经有几年年无戏可拍，而依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta主演的剧情片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在剧情片中投入的热情，是我们难以想象的，其实《拉莉`?萨》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典剧情片，也成就了他们自己！
四、如何评价《拉莉`?萨》?
《拉莉`?萨》口碑非常好深受广大观众喜爱，《拉莉`?萨》一经播放立刻引来无数人点赞，不仅依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta演的好而且该剧情片故事情节也非常紧凑，星空影院（msdts.com）观看起来特别流畅同时还能扣人心弦，虽然目前《拉莉`?萨》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧情片主演依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta，她在该剧情片中的演技可圈可点，受到依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta演的好而且该剧情片迷的认可。
五、《拉莉`?萨》剧情片的主要内容
《拉莉`?萨》是一部剧情片剧情片，由导演：依莱姆·克里莫夫执导，主演：依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta
《拉莉`?萨》A loving f#-!ilm t r).ibute to Rus ^sian filmmaker Larisa Shepitko, who +d`ied .tragicall=[y in a _) c(*=ar ac? ciden.t:\ in 19#7?;?,9 ? at the ^!age of 40. This docum^ e]!ntary by her husband, El em %`Kli%],mo+ v, in);?clude#s excerpts ] from all of Shepitko# 's fi`:l%$,!m ?s, ?@ @and _her own_-; voice is heard talkin)%g about her lif !e and art. Elem Klim+!o(v's grief-@@stricke(n elegy ;%Lari ,sa ?e xamines the life of his ^ late ?^wif /e—the fi*?lm : director Larisa ^.She) _pitko— @through a s ?$eries+* of d-% irec%=t-addr$ess intervi/`ews and p=:hotom__ontages, set\=( : against a mournful (,v#; ]isu/_ $a;,/ l=-%#^m `usical back: ?d *r-*`op. %=Typi*`.cal ly, Klimov films his subje:/cts (which include himself and , =-se%veral of Shepit^/ko's _ collabo \rators%)$ +withi=n a stark, snow -cove?%^/red forest, its tangled\ we(b of tree=)s st? [anding i#n as%_ metaphor-+!_ical representat ion o !f a _\perha-=ps % inex]pr^essible suff) =ering, the re sult of Shepitko's %-prematu:_ re d^eat*h while ) fi- lming ,,:her adapta_tion o.(f Valenti/n @Ra# sputin's novella Far ]ewell to Matyora(. Interweavi \;ng- ) home movie f ootage with seque @#n, ces from S* )he)pitko?! 's work ( [Maya Bulgakov^+@a's pensive plane crash re miniscence from Wings (-ta^kes^ `.on se\ `(ver# ^al new `la @yers of: re %-sonance in th(:is +#contex =.t), Laris`)a's _; mo)!st powerful pa@,ssage is its fir(st ac comp ?anie (*d )#:by [\the grandio^`s- #e _.@fina+l_! music cue from*- S.hepitko's You a nd I, Klimo +v ]@,dis% s*!\^^ol#ves between a serie`_+s of per-s#on- al photo grap!+hs.@() that ,%. encom p\! ass L:? *arisa's e!ntir?,e -[lif#?[e$, from bi_rt h=_ to death. #[$T h.-is brief sy) m\^phon ]*?y of : -sorrow a#=nticipates th`*!e cathartic revers$:e- motio^! n/@+ cl/ im!/ a\x o`f K#,;l %imov's (?Come and See, tho![ugh / ]by placin (g the sc*ene fi +*rst within. Larisa's chronology,^ Kl(-imov s,?eems to be=. working against ! :c.atharsi-s. The?; pain is cle ;arl^y fresh, ,+th:@ `?e wou+]nd stil.#l fest[#erin #g, and Klimov$ wa_nts—abo,ve ; )all—to capture h ^+ ow deep misery's knife has cut.