剧情简介
《工人，(农民》讲述的是什么故事？
《工人，(农民》Veteran experimental filmmakers ] `Dan$_ielle Hui/ @!lle).t and Jean-Ma=`r_ie ];!Straub helmed this unusual!+( ada$ .ptati/??on of a nove-;\l by *Eli :o^ V_]ittori(ni. Focused on ?_;the t+\@rium\?-phs and failur :es of.^/` a $)group of laborers an( :*d farm /hands wh=o pooled their ?!re sour@ces / to ope (rate an alternative !collective(\ farm after the e \nd of W o.-rld War II, Operai, Contadi-ni/ f?eatures/: a cast of 12 actors who read /aloud from Vittorini's book for the duration :of the+ film, either reci! t *ing f*r;@om memory or .#using +,. a clearly ;visible scr+`ipt. Hardly;^ designed; to b.+e a;; crowd pl-;ease;r, Opera\=i, Con:=^tad =ini pr*$^-oved to be controversial a_mong the audiences for its showings at the?# / 2++0 -01^+] C )annes Fil=m F =estival, w= =he=/re it was scree) ned as par #^t o/;[f _ the Directors' Fortnight ser #ies. ~ Mark Demi:^ng,` All Movie Guide The grou$p` makes u/ p a$[ pr$_imi@[ti ^ve % c omm- unity which see+\`ks* t#@ o era-!.se not ?_ _@only the]? distress cre!a ted by the war -but also the? hardshi@`;; ps of li (fe a[/nd [h=`:unger, and %],to [`/pr@otec*(t them from vi-,olence, mi] sery and fear.% Amid the ruins of this post-] war period, th::e char !a@ !cte%rs bui@:l- $!d and i^:nv $=ent a ra [?pport +:b =oth %=in the`[!ir profess *i)onal and daily lives be(;./=tw?;;,een themselv ]es,_ #!the@ sexes, ge\`nerat(ions, div]`erse so cial]@ and geographi! cal o(rigi_!ns ;, and ant%\ago;!nis+!tic politi\cal camp s.. . The gr oup m!aintains a '/re[ gister.=',]$_)$ a`:%\ kind of diary, as if it were entering the m+*inutes o *f an inqui ry or=[ a tria [l. =]-Ste =^ve Grayson my )` fa!vor /+%ite Str; .aub- Huillet=:; fil=!ms /^are Too Ea/ rly, Too Late `) #$an,d Operai @\), \contadini (200 @] 1), both color# l[andsc@ap%,[e f.il^?!.?ms wit:#h es@( p!ecially [: acute senses of = ^ +\]place $ as #:;%we ll ) as ! _of^ nature i \n all its ,:ha#rsh #%b [ eauty. - [ Jon \athan R osenbaum
一、《工人，(农民》是哪一年上映的？
《工人，(农民》是达尼埃尔·于伊耶,让-马里·斯特劳布于2001年拍摄的一部经典剧情片。此片开创法国当代剧情片的先河，《工人，(农民》上映时票房稳坐前三，创下当年纪录。当时均为最佳主角，以精彩演技和突出形象，奠定在法国影坛地位。饰演角色造型多年后仍为人所模仿。达尼埃尔·于伊耶,让-马里·斯特劳布之前曾被人怀疑其能力，而《工人，(农民》却奠定达尼埃尔·于伊耶,让-马里·斯特劳布剧情片风格。《工人，(农民》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指2001年代）法国（法国）优秀剧情片齐名。
二、被称为剧情片的开先河之作的《工人，(农民》，是达尼埃尔·于伊耶,让-马里·斯特劳布最好的作品吗?
从达尼埃尔·于伊耶,让-马里·斯特劳布斩获剧情片最佳导演 我就觉得这部《工人，(农民》是他最好的剧情片。虽然达尼埃尔·于伊耶,让-马里·斯特劳布后来还拍出来了评价特别好的剧情片，但是《工人，(农民》是他剧情片的代表作品。
三、《工人，(农民》为什么可以成为经典？
提起法国，人们就肯定会说出《工人，(农民》的名字。这部由达尼埃尔·于伊耶,让-马里·斯特劳布导演，主演的《工人，(农民》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连达尼埃尔·于伊耶,让-马里·斯特劳布导演和，都没想到这部剧情片会得到这样好的反响。达尼埃尔·于伊耶,让-马里·斯特劳布先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《工人，(农民》开拍之前，已经有几年年无戏可拍，而主演的剧情片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在剧情片中投入的热情，是我们难以想象的，其实《工人，(农民》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典剧情片，也成就了他们自己！
四、如何评价《工人，(农民》?
《工人，(农民》口碑非常好深受广大观众喜爱，《工人，(农民》一经播放立刻引来无数人点赞，不仅演的好而且该剧情片故事情节也非常紧凑，星空影院（msdts.com）观看起来特别流畅同时还能扣人心弦，虽然目前《工人，(农民》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧情片主演，她在该剧情片中的演技可圈可点，受到演的好而且该剧情片迷的认可。
五、《工人，(农民》剧情片的主要内容
《工人，(农民》是一部剧情片剧情片，由导演：达尼埃尔·于伊耶,让-马里·斯特劳布执导，主演：
《工人，(农民》Veteran experimental filmmakers ] `Dan$_ielle Hui/ @!lle).t and Jean-Ma=`r_ie ];!Straub helmed this unusual!+( ada$ .ptati/??on of a nove-;\l by *Eli :o^ V_]ittori(ni. Focused on ?_;the t+\@rium\?-phs and failur :es of.^/` a $)group of laborers an( :*d farm /hands wh=o pooled their ?!re sour@ces / to ope (rate an alternative !collective(\ farm after the e \nd of W o.-rld War II, Operai, Contadi-ni/ f?eatures/: a cast of 12 actors who read /aloud from Vittorini's book for the duration :of the+ film, either reci! t *ing f*r;@om memory or .#using +,. a clearly ;visible scr+`ipt. Hardly;^ designed; to b.+e a;; crowd pl-;ease;r, Opera\=i, Con:=^tad =ini pr*$^-oved to be controversial a_mong the audiences for its showings at the?# / 2++0 -01^+] C )annes Fil=m F =estival, w= =he=/re it was scree) ned as par #^t o/;[f _ the Directors' Fortnight ser #ies. ~ Mark Demi:^ng,` All Movie Guide The grou$p` makes u/ p a$[ pr$_imi@[ti ^ve % c omm- unity which see+\`ks* t#@ o era-!.se not ?_ _@only the]? distress cre!a ted by the war -but also the? hardshi@`;; ps of li (fe a[/nd [h=`:unger, and %],to [`/pr@otec*(t them from vi-,olence, mi] sery and fear.% Amid the ruins of this post-] war period, th::e char !a@ !cte%rs bui@:l- $!d and i^:nv $=ent a ra [?pport +:b =oth %=in the`[!ir profess *i)onal and daily lives be(;./=tw?;;,een themselv ]es,_ #!the@ sexes, ge\`nerat(ions, div]`erse so cial]@ and geographi! cal o(rigi_!ns ;, and ant%\ago;!nis+!tic politi\cal camp s.. . The gr oup m!aintains a '/re[ gister.=',]$_)$ a`:%\ kind of diary, as if it were entering the m+*inutes o *f an inqui ry or=[ a tria [l. =]-Ste =^ve Grayson my )` fa!vor /+%ite Str; .aub- Huillet=:; fil=!ms /^are Too Ea/ rly, Too Late `) #$an,d Operai @\), \contadini (200 @] 1), both color# l[andsc@ap%,[e f.il^?!.?ms wit:#h es@( p!ecially [: acute senses of = ^ +\]place $ as #:;%we ll ) as ! _of^ nature i \n all its ,:ha#rsh #%b [ eauty. - [ Jon \athan R osenbaum