剧情简介
《外星- 恶客》讲述的是什么故事？
《外星- 恶客》Out -of;) the fifties - 'B ' Scien+@$ce-Fi].ction `[monster+:[ mo!;. v(%ies, this). easily ranks as the best. I/$t',%s most notable?` ( as/- the f ,@ilm th,at ALIEN is an u?=naccre/$d,(,ited r :em,:a.ke of, ]t_$=h$)us givin$[.g it a ce:,#rtain(/ his( torica^ l? sig:nific ance. ) Th ( e in $(triguing $plot is ;_;about th\$e/; rescue of the o/[n( ly marooned s urvivor \ (Col. Carruthe`rs) ?of an ill-fa:te d + expedit!i`@;on to Mars. T._he aut /+horiti es, pig-he;$,ade )#d a s us%=ual, fal^?se +ly ::assume tha t h!@=e mu-@rdered *his fel +?low crew m*@,embers, so that he'd hav@+e:[ more provisi$ons t\+#?o surviv;\-e; hence he is being brought back t- _o Ea:rth to face c;+]ourt* /@-martial for murd= er. (There is\_ #also a somewhat intere+^:+ sting plot r \;evers?+a//l `^here Most movi.# es of this nature us/u_ %a.)?lly[;,-] begin [with the /+ship leaving Ear-!(th, en ro `u-%te@ to its ] otherworl?]d*:+ dest i +*nation, while, in thi# s =case\ , the story is believe \d finished, and begin=,s as th:e characters take*% -off f *rom the o .th#^_er\ ` plane_+t^, return+ing to Earth).. As t^) \he re] ,scue- * ship is leaving %Mars, a lurking, om^.in#. -ous sh\ a=;[dow# is seen in the low;+ #=er co=mpartme!() [nt. (A fri[[ght@ !ening, atmospheric ,: m_oment, acc;]om]*p^ lished thr[(ough she#er econ!om y and [ ]:simplici ty). C) [arruthers.* insists of( his in noce#=nce to his f :ellow [` ^,captors, claimi ng that h:=(is o=riginal crew mates w(^ere slaughtere*; d *by a `;hosti[_ le, unsee n*% !?pre?:senc e on the desolu _te red[ plan et#, , but \three-guesses!@ as to=.[* t% )?heir r eaction to his unu\sual plea. Naturally, he,; ^:^can,\ '+ t prove it, a_*n@ d 50's space autho \ritie`@s w^ ere not $very al) ` ien consci:ence at the time. ( As a side-thought$\, ?@un\seen menace may remind`` yo #u ?@o?+\$ f t+ hat h:ighly original B?:LAIR WITCH)(*/. As ever=#y #one sacks out,?= a h,(ap$([le$!ss sup ^ ,p.%:orting charactor whose name is at the bo`]tt\;#o ]%,m of the / casting ;@list (guess what will / h,%appen to hi]m) hears somethi]ng i*n the low)er co)]@mpartment. Despite y?],our fu t_)i \[le don't go down t. h ere\, you jer*%+k`/! pleas, he do\es just .^ tha(?t, and ) @is`@ appro` pria ?tely killed (more like thorou: ghly oblit/#erated) by t!:he *shadowy =\figure with insatiable *# %blo`od lu?+st o:[n# *it *.s mind. In the v / =ic`(tim's.( case, de\)?#reliction of duty and sheer cowardline=%ss woul% d %ha!* ve[ =%+b?#_een the wise dec:ision. The scene is/@ act;]ually well-directed (for !- $a #cha nge) and devel;==o ps m!uch susp %ense, as the entire film s/ur==pris ?i _ngly doe %s. The crew ,/ fi;=.nally / ?,catc#]hes on :that ]they have an)]*# unwant= e(( $ d ship,$ c@ (/rasher on _[`board, and try *# \!eve?^:]r_y : poss-*_,ible mea ns at. th [+++eir disposal to]= eliminate i t, b!) ut th@/e unkno wn creatur`][e s- ee[.ms t*o copping an anti-death at;#:titude . Provin`=g `to*+ be.* an even more clever, _worthy adversary, [ 'IT!' also ,^hides out in t*[he vent ilat%ion#\ sh_afts .]) of th`e ship .(n\-ow tha`t should ring a bell). Cahn's = f :o/@;rceful dir `! ection generates co/%]n[s$;,;ide_r able tension as( the malevolen t sto. waway works its way] `^ \up from ,one level of t?!he confi;:ned sh@ip to the next, :eve. +ntu.ally leavin`%g /$the*@\ rem//ainin _g charac^ ters t)+ rapped at the t+\o ,p. The m_?ov ie's suspense i#s;+ [=_/,blunt an d right to the point IT!' has to kill the m) . or starve, hence _;th*e`) y have to kill IT! or d-.ie. Not-hin g like those no @= t %w[o [#( ways ([about @ it choices. Rent it,,. or check $ for. it on cable i,*f *``you wish to ,.kno,\w the =(outcome. Fo:r@+$ ) //a low-[\bu]dge]@/t quickie, IT! is quite #.impr es ?sive;: and@ memora( `bl]![e. T/ he dreaded) [ ( _se^#%nse of claustrophob ic tension, render! ing@( the c+haract*e*rs'( help\#) \less ent` #rapme. nt, is highly effective. This is a [production i )`@n wh, ich the limited budge ^t and small ?:sets)` + ^ actuall\)y _`-work in favor of` + the plot 's sca[-;%ry a m% bience. The bl= ack w(#h,=**i@ *?te phot= ography (Yes, it's one of those!) help\ @/:s t( o e%nhan;ce its dark, creepy mood^,$# -and t_h e sense /?of, app,rehension is .quite high. (Mode`rn day color fr$)eaks,/ _ never -;seem to t \ake th]at into consideration). The plot is (@al!so somew.!hat cynically% i *ronic If the creatu\$re hadn't stowed away?\ on the s) *hip.*(, Carruthers would h(#ave m,,@ost* likel+@ y bee @n]:+ fo.@und guilt$@y of t *he char: $ges against $=him. The ` in_\tel[.ligen)t% script ] (see w/;%ha t I)\\ me an abou(?t ;r@a!$)re:_ ity-#( )[% was p)\]]enned by noted Science-/,.^Fiction author ! Je +rome B;.ixby (r).;)emem ber \ Twiligh*_t Zon_? e's It's a /` Good L,ife) ^Th=e p`[ic?_ ture's taut e/ dit ;!ing elimina:$.tes any , #extr\ aneou;=s dr @oss. (;+ALIEN ten`ded to)^ drag in its f *:i=,rst ] ho])@ur w(ith its + ]sophomori##\ c dialo.gue, and why did -#- it ha_/ v. ?)e -)*to .;include that stupid and ultimately counter- /(product (?ive !s *u`:b-pl( [o.+; t of Ash bei_,n=g a r,obot, and ==further]: dragging the story d[\own t)/ o ano.ther big ^]-bad =consp-.iracy cliche UNNECESSARY!!!# ) Dir^ ect( \or Ca$hn/ astut ];*ely kee-\ps th(e rub ber-suited monster o\ff `[-scr \een and, ` in the*_? s@.:hadows *thro;]ugh-out *.most of the pro @+.ceeding$= s, k )eeping your pa(ra%noid im$\agi$#natio#^n! on c onstant a(]lert. Un)for tunately, perh+a $ps^ ? at the ):studio's commerc!ial i\ nsistance,#- it is a l% ittle ove_:r-rev) _ealed at the clim+][ a (x, but I haven't claimed thi$@:s t;o b `!!e th ].e,) p ,erfect masterpiece. T /he perf`orm(anc?+( es, though nothing award-winning, are n^evertheless c *ool en*ough s\= !o th .at one be,$come.+s;?[ si_ ncere^ly ,, _c ?oncerned as t o the(+ir f.a*^tes.[ ) Not many movies )#i;n/] recent time-.s?- ev%er co me=[ close to ac\ [hieving that.(: They[ can b!e ov;e[.r- #* produce, d from here to ^ etern =),@ity, a+nd usually only s %ucceed i.=n ;b [`ei%$ng glo_\riously annoying(/ . This ,;film'.`(;s story/ is not rea`^%%l-(ly total*)=ly orig inal (what%; is ),$^ ( f)$o%]r it is based on A.E. / Van Vo%*_*gt's VO`YA--GE( - OF THE SPAC E BEAGL ]^/E. All ALIEN fana`!\tics should ? track down an o -ld used copy to see where th e initi!al^ influence[$ ca `;me f(rom. As $`lo@)ng as you!\'r#:e+ not craving another CGI $wind(#@-ding, you; (_may find it** wort hwhile. Ju%+/st do\.n't ,e%_$@,xpe - c_( t the wo-; men to be Rip@ ley precursors. This was@@( still th :*e soc!.;-k-knit*@ting fifties, ; # sad +%to sa_y.
一、《外星- 恶客》是哪一年上映的？
《外星- 恶客》是Edward,L.,Cahn于1958年拍摄的一部经典恐怖片。此片开创美国当代恐怖片的先河，《外星- 恶客》上映时票房稳坐前三，创下当年纪录。当时Marshall,Thompson,Shirley,Patterson,Kim,Spalding均为最佳主角，Marshall,Thompson,Shirley,Patterson,Kim,Spalding以精彩演技和突出形象，奠定在美国影坛地位。Marshall,Thompson,Shirley,Patterson,Kim,Spalding饰演角色造型多年后仍为人所模仿。Edward,L.,Cahn之前曾被人怀疑其能力，而《外星- 恶客》却奠定Edward,L.,Cahn恐怖片风格。《外星- 恶客》首映时曾获海外恐怖片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1958年代）美国（美国）优秀恐怖片齐名。
二、被称为恐怖片的开先河之作的《外星- 恶客》，是Edward,L.,Cahn最好的作品吗?
从Edward,L.,Cahn斩获恐怖片最佳导演 我就觉得这部《外星- 恶客》是他最好的恐怖片。虽然Edward,L.,Cahn后来还拍出来了评价特别好的恐怖片，但是《外星- 恶客》是他恐怖片的代表作品。
三、《外星- 恶客》为什么可以成为经典？
提起美国，人们就肯定会说出《外星- 恶客》的名字。这部由Edward,L.,Cahn导演，Marshall,Thompson,Shirley,Patterson,Kim,Spalding主演的《外星- 恶客》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连Edward,L.,Cahn导演和Marshall,Thompson,Shirley,Patterson,Kim,Spalding，都没想到这部恐怖片会得到这样好的反响。Edward,L.,Cahn先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《外星- 恶客》开拍之前，Marshall,Thompson,Shirley,Patterson,Kim,Spalding已经有几年年无戏可拍，而Marshall,Thompson,Shirley,Patterson,Kim,Spalding主演的恐怖片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在恐怖片中投入的热情，是我们难以想象的，其实《外星- 恶客》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典恐怖片，也成就了他们自己！
四、如何评价《外星- 恶客》?
《外星- 恶客》口碑非常好深受广大观众喜爱，《外星- 恶客》一经播放立刻引来无数人点赞，不仅Marshall,Thompson,Shirley,Patterson,Kim,Spalding演的好而且该恐怖片故事情节也非常紧凑，星空影院（msdts.com）观看起来特别流畅同时还能扣人心弦，虽然目前《外星- 恶客》收视率一般但是该片目前受欢迎程度已经名列前茅。该恐怖片主演Marshall,Thompson,Shirley,Patterson,Kim,Spalding，她在该恐怖片中的演技可圈可点，受到Marshall,Thompson,Shirley,Patterson,Kim,Spalding演的好而且该恐怖片迷的认可。
五、《外星- 恶客》恐怖片的主要内容
《外星- 恶客》是一部恐怖片恐怖片，由导演：Edward,L.,Cahn执导，主演：Marshall,Thompson,Shirley,Patterson,Kim,Spalding
《外星- 恶客》Out -of;) the fifties - 'B ' Scien+@$ce-Fi].ction `[monster+:[ mo!;. v(%ies, this). easily ranks as the best. I/$t',%s most notable?` ( as/- the f ,@ilm th,at ALIEN is an u?=naccre/$d,(,ited r :em,:a.ke of, ]t_$=h$)us givin$[.g it a ce:,#rtain(/ his( torica^ l? sig:nific ance. ) Th ( e in $(triguing $plot is ;_;about th\$e/; rescue of the o/[n( ly marooned s urvivor \ (Col. Carruthe`rs) ?of an ill-fa:te d + expedit!i`@;on to Mars. T._he aut /+horiti es, pig-he;$,ade )#d a s us%=ual, fal^?se +ly ::assume tha t h!@=e mu-@rdered *his fel +?low crew m*@,embers, so that he'd hav@+e:[ more provisi$ons t\+#?o surviv;\-e; hence he is being brought back t- _o Ea:rth to face c;+]ourt* /@-martial for murd= er. (There is\_ #also a somewhat intere+^:+ sting plot r \;evers?+a//l `^here Most movi.# es of this nature us/u_ %a.)?lly[;,-] begin [with the /+ship leaving Ear-!(th, en ro `u-%te@ to its ] otherworl?]d*:+ dest i +*nation, while, in thi# s =case\ , the story is believe \d finished, and begin=,s as th:e characters take*% -off f *rom the o .th#^_er\ ` plane_+t^, return+ing to Earth).. As t^) \he re] ,scue- * ship is leaving %Mars, a lurking, om^.in#. -ous sh\ a=;[dow# is seen in the low;+ #=er co=mpartme!() [nt. (A fri[[ght@ !ening, atmospheric ,: m_oment, acc;]om]*p^ lished thr[(ough she#er econ!om y and [ ]:simplici ty). C) [arruthers.* insists of( his in noce#=nce to his f :ellow [` ^,captors, claimi ng that h:=(is o=riginal crew mates w(^ere slaughtere*; d *by a `;hosti[_ le, unsee n*% !?pre?:senc e on the desolu _te red[ plan et#, , but \three-guesses!@ as to=.[* t% )?heir r eaction to his unu\sual plea. Naturally, he,; ^:^can,\ '+ t prove it, a_*n@ d 50's space autho \ritie`@s w^ ere not $very al) ` ien consci:ence at the time. ( As a side-thought$\, ?@un\seen menace may remind`` yo #u ?@o?+\$ f t+ hat h:ighly original B?:LAIR WITCH)(*/. As ever=#y #one sacks out,?= a h,(ap$([le$!ss sup ^ ,p.%:orting charactor whose name is at the bo`]tt\;#o ]%,m of the / casting ;@list (guess what will / h,%appen to hi]m) hears somethi]ng i*n the low)er co)]@mpartment. Despite y?],our fu t_)i \[le don't go down t. h ere\, you jer*%+k`/! pleas, he do\es just .^ tha(?t, and ) @is`@ appro` pria ?tely killed (more like thorou: ghly oblit/#erated) by t!:he *shadowy =\figure with insatiable *# %blo`od lu?+st o:[n# *it *.s mind. In the v / =ic`(tim's.( case, de\)?#reliction of duty and sheer cowardline=%ss woul% d %ha!* ve[ =%+b?#_een the wise dec:ision. The scene is/@ act;]ually well-directed (for !- $a #cha nge) and devel;==o ps m!uch susp %ense, as the entire film s/ur==pris ?i _ngly doe %s. The crew ,/ fi;=.nally / ?,catc#]hes on :that ]they have an)]*# unwant= e(( $ d ship,$ c@ (/rasher on _[`board, and try *# \!eve?^:]r_y : poss-*_,ible mea ns at. th [+++eir disposal to]= eliminate i t, b!) ut th@/e unkno wn creatur`][e s- ee[.ms t*o copping an anti-death at;#:titude . Provin`=g `to*+ be.* an even more clever, _worthy adversary, [ 'IT!' also ,^hides out in t*[he vent ilat%ion#\ sh_afts .]) of th`e ship .(n\-ow tha`t should ring a bell). Cahn's = f :o/@;rceful dir `! ection generates co/%]n[s$;,;ide_r able tension as( the malevolen t sto. waway works its way] `^ \up from ,one level of t?!he confi;:ned sh@ip to the next, :eve. +ntu.ally leavin`%g /$the*@\ rem//ainin _g charac^ ters t)+ rapped at the t+\o ,p. The m_?ov ie's suspense i#s;+ [=_/,blunt an d right to the point IT!' has to kill the m) . or starve, hence _;th*e`) y have to kill IT! or d-.ie. Not-hin g like those no @= t %w[o [#( ways ([about @ it choices. Rent it,,. or check $ for. it on cable i,*f *``you wish to ,.kno,\w the =(outcome. Fo:r@+$ ) //a low-[\bu]dge]@/t quickie, IT! is quite #.impr es ?sive;: and@ memora( `bl]![e. T/ he dreaded) [ ( _se^#%nse of claustrophob ic tension, render! ing@( the c+haract*e*rs'( help\#) \less ent` #rapme. nt, is highly effective. This is a [production i )`@n wh, ich the limited budge ^t and small ?:sets)` + ^ actuall\)y _`-work in favor of` + the plot 's sca[-;%ry a m% bience. The bl= ack w(#h,=**i@ *?te phot= ography (Yes, it's one of those!) help\ @/:s t( o e%nhan;ce its dark, creepy mood^,$# -and t_h e sense /?of, app,rehension is .quite high. (Mode`rn day color fr$)eaks,/ _ never -;seem to t \ake th]at into consideration). The plot is (@al!so somew.!hat cynically% i *ronic If the creatu\$re hadn't stowed away?\ on the s) *hip.*(, Carruthers would h(#ave m,,@ost* likel+@ y bee @n]:+ fo.@und guilt$@y of t *he char: $ges against $=him. The ` in_\tel[.ligen)t% script ] (see w/;%ha t I)\\ me an abou(?t ;r@a!$)re:_ ity-#( )[% was p)\]]enned by noted Science-/,.^Fiction author ! Je +rome B;.ixby (r).;)emem ber \ Twiligh*_t Zon_? e's It's a /` Good L,ife) ^Th=e p`[ic?_ ture's taut e/ dit ;!ing elimina:$.tes any , #extr\ aneou;=s dr @oss. (;+ALIEN ten`ded to)^ drag in its f *:i=,rst ] ho])@ur w(ith its + ]sophomori##\ c dialo.gue, and why did -#- it ha_/ v. ?)e -)*to .;include that stupid and ultimately counter- /(product (?ive !s *u`:b-pl( [o.+; t of Ash bei_,n=g a r,obot, and ==further]: dragging the story d[\own t)/ o ano.ther big ^]-bad =consp-.iracy cliche UNNECESSARY!!!# ) Dir^ ect( \or Ca$hn/ astut ];*ely kee-\ps th(e rub ber-suited monster o\ff `[-scr \een and, ` in the*_? s@.:hadows *thro;]ugh-out *.most of the pro @+.ceeding$= s, k )eeping your pa(ra%noid im$\agi$#natio#^n! on c onstant a(]lert. Un)for tunately, perh+a $ps^ ? at the ):studio's commerc!ial i\ nsistance,#- it is a l% ittle ove_:r-rev) _ealed at the clim+][ a (x, but I haven't claimed thi$@:s t;o b `!!e th ].e,) p ,erfect masterpiece. T /he perf`orm(anc?+( es, though nothing award-winning, are n^evertheless c *ool en*ough s\= !o th .at one be,$come.+s;?[ si_ ncere^ly ,, _c ?oncerned as t o the(+ir f.a*^tes.[ ) Not many movies )#i;n/] recent time-.s?- ev%er co me=[ close to ac\ [hieving that.(: They[ can b!e ov;e[.r- #* produce, d from here to ^ etern =),@ity, a+nd usually only s %ucceed i.=n ;b [`ei%$ng glo_\riously annoying(/ . This ,;film'.`(;s story/ is not rea`^%%l-(ly total*)=ly orig inal (what%; is ),$^ ( f)$o%]r it is based on A.E. / Van Vo%*_*gt's VO`YA--GE( - OF THE SPAC E BEAGL ]^/E. All ALIEN fana`!\tics should ? track down an o -ld used copy to see where th e initi!al^ influence[$ ca `;me f(rom. As $`lo@)ng as you!\'r#:e+ not craving another CGI $wind(#@-ding, you; (_may find it** wort hwhile. Ju%+/st do\.n't ,e%_$@,xpe - c_( t the wo-; men to be Rip@ ley precursors. This was@@( still th :*e soc!.;-k-knit*@ting fifties, ; # sad +%to sa_y.