剧情简介
《冰刀》讲述的是什么故事？
《冰刀》This `#;ear]@ly 7;+0'=s+: giallo by Um*berto Lenz*@i? is certainly among the b+._est` in hi`)-=s fi@+ lm+ ogr aphy a(.nd also in the who/=le# ge$:/nre.]_ Personall, y I think) L enzi's [ best # %films ^are the funny ca=%rtoon- /+turned-film = Krim*\ inal, !*@]the sty(l !is).h giallo :$S#$eve]n Blood-Staine%;=d Orchids, the explos?ive Napo /li?, [/^=violenta and th*:*is! . In the eight\-[ies [)he did plenty o#)_%f fi lm t##/)rash_ [ in@^ form ` =]o !) f Eaten A[l /ive, .\=Hitche `r in the Dark or Black! Demons, all of`# which - are rip =ping someth[(ing off andor v.ery du% ll and slow moving. Knife of Ice came w(.^hen the giallo (^boo m was [)at its ho/ ttest:* and the result is co -nvincing. Tec ;;?hni ^call[y th)e film is sup`erb, c* ontaining gre at cine_matogra phy ) in the beginni^ng when we learn ab* out th e m@ain charac=$= ter' ! =s tra%uma] t[(owards \\trains. [@ From t.!his point on, !) L$enzi shows * us hi^=s ];abili!=t,=/y^%\ to benefit the w _]ide-$%scree n and(!((, for:( exampl e(/,! th\, (e bic:(%ycle ride n/ear the for, est i# s genuine_]ly b$[eautiful! T/his scene also shows Lenzi's ability to b ,$ui +! l^, d :+suspen,?s]e*,]^ ver[? y* slowly but@ @ mean *ing# full\ y. After all, there aren't $so ] many m[(\ ;urders in th e who+le , f il:m, o?^#nly \-,_the sus(pense circulating around the murderer's iden?tity. #:* ^-`:One suspect is]##/ a devil wo!(rshipper ; whic:h brings ne(+w aspects to the my:@[ stery. ??$Since: (( the final: sce : ne **(takes pla- _c([e in a%# church, on? .e,^ can wo ?nder if Lenzi wante:d to *_comment $`on somet hing, mayb; ^e the hypocri.ti\ cal m :o%+,#rale of church and supers +!tit*-*ion. The *^, ] #.m$[ain c)#-haract ,er.. (Carr= )$ol Bake%\*r) is ( mute; which de= !mands a lot f.rom her face : - and ey?-e $s+. _^The ac \tress\ work* s very !/ well, g\ivi_ng us a\/ $ /:b%^,!e:lievable performa*% ];nce c=-irculati $ng a-;round ^=@ the emotions of -f=(ear and menta/l pain. The ot\\ !he@ `r actors a re go!od, too. The final ly, howe=ver,, may not #give.\ too positive%?-( a sight _abou=t female]%[ s ^ ex sinc-^e th? ey al%_l* are expressed rathe(r negat .i;,v *ely in t[ he ^ film, one way or[-\+ a [n=other. # Still ^ this is easily among th]e !`most noteworthy^ in th+(]e genre, not as bloody as$- the) Ar gento !+,films, for exampl e, b (ut equa@/)lly suspens #eful and ^=v+=isually also int@erest/,+i@#ng.
一、《冰刀》是哪一年上映的？
《冰刀》是翁贝托·伦齐于1972年拍摄的一部经典恐怖片。此片开创其它当代恐怖片的先河，《冰刀》上映时票房稳坐前三，创下当年纪录。当时卡罗尔·贝克,艾伦·斯科特均为最佳主角，卡罗尔·贝克,艾伦·斯科特以精彩演技和突出形象，奠定在其它影坛地位。卡罗尔·贝克,艾伦·斯科特饰演角色造型多年后仍为人所模仿。翁贝托·伦齐之前曾被人怀疑其能力，而《冰刀》却奠定翁贝托·伦齐恐怖片风格。《冰刀》首映时曾获海外恐怖片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1972年代）其它（其它）优秀恐怖片齐名。
二、被称为恐怖片的开先河之作的《冰刀》，是翁贝托·伦齐最好的作品吗?
从翁贝托·伦齐斩获恐怖片最佳导演 我就觉得这部《冰刀》是他最好的恐怖片。虽然翁贝托·伦齐后来还拍出来了评价特别好的恐怖片，但是《冰刀》是他恐怖片的代表作品。
三、《冰刀》为什么可以成为经典？
提起其它，人们就肯定会说出《冰刀》的名字。这部由翁贝托·伦齐导演，卡罗尔·贝克,艾伦·斯科特主演的《冰刀》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连翁贝托·伦齐导演和卡罗尔·贝克,艾伦·斯科特，都没想到这部恐怖片会得到这样好的反响。翁贝托·伦齐先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《冰刀》开拍之前，卡罗尔·贝克,艾伦·斯科特已经有几年年无戏可拍，而卡罗尔·贝克,艾伦·斯科特主演的恐怖片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在恐怖片中投入的热情，是我们难以想象的，其实《冰刀》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典恐怖片，也成就了他们自己！
四、如何评价《冰刀》?
《冰刀》口碑非常好深受广大观众喜爱，《冰刀》一经播放立刻引来无数人点赞，不仅卡罗尔·贝克,艾伦·斯科特演的好而且该恐怖片故事情节也非常紧凑，星空影院（msdts.com）观看起来特别流畅同时还能扣人心弦，虽然目前《冰刀》收视率一般但是该片目前受欢迎程度已经名列前茅。该恐怖片主演卡罗尔·贝克,艾伦·斯科特，她在该恐怖片中的演技可圈可点，受到卡罗尔·贝克,艾伦·斯科特演的好而且该恐怖片迷的认可。
五、《冰刀》恐怖片的主要内容
《冰刀》是一部恐怖片恐怖片，由导演：翁贝托·伦齐执导，主演：卡罗尔·贝克,艾伦·斯科特
《冰刀》This `#;ear]@ly 7;+0'=s+: giallo by Um*berto Lenz*@i? is certainly among the b+._est` in hi`)-=s fi@+ lm+ ogr aphy a(.nd also in the who/=le# ge$:/nre.]_ Personall, y I think) L enzi's [ best # %films ^are the funny ca=%rtoon- /+turned-film = Krim*\ inal, !*@]the sty(l !is).h giallo :$S#$eve]n Blood-Staine%;=d Orchids, the explos?ive Napo /li?, [/^=violenta and th*:*is! . In the eight\-[ies [)he did plenty o#)_%f fi lm t##/)rash_ [ in@^ form ` =]o !) f Eaten A[l /ive, .\=Hitche `r in the Dark or Black! Demons, all of`# which - are rip =ping someth[(ing off andor v.ery du% ll and slow moving. Knife of Ice came w(.^hen the giallo (^boo m was [)at its ho/ ttest:* and the result is co -nvincing. Tec ;;?hni ^call[y th)e film is sup`erb, c* ontaining gre at cine_matogra phy ) in the beginni^ng when we learn ab* out th e m@ain charac=$= ter' ! =s tra%uma] t[(owards \\trains. [@ From t.!his point on, !) L$enzi shows * us hi^=s ];abili!=t,=/y^%\ to benefit the w _]ide-$%scree n and(!((, for:( exampl e(/,! th\, (e bic:(%ycle ride n/ear the for, est i# s genuine_]ly b$[eautiful! T/his scene also shows Lenzi's ability to b ,$ui +! l^, d :+suspen,?s]e*,]^ ver[? y* slowly but@ @ mean *ing# full\ y. After all, there aren't $so ] many m[(\ ;urders in th e who+le , f il:m, o?^#nly \-,_the sus(pense circulating around the murderer's iden?tity. #:* ^-`:One suspect is]##/ a devil wo!(rshipper ; whic:h brings ne(+w aspects to the my:@[ stery. ??$Since: (( the final: sce : ne **(takes pla- _c([e in a%# church, on? .e,^ can wo ?nder if Lenzi wante:d to *_comment $`on somet hing, mayb; ^e the hypocri.ti\ cal m :o%+,#rale of church and supers +!tit*-*ion. The *^, ] #.m$[ain c)#-haract ,er.. (Carr= )$ol Bake%\*r) is ( mute; which de= !mands a lot f.rom her face : - and ey?-e $s+. _^The ac \tress\ work* s very !/ well, g\ivi_ng us a\/ $ /:b%^,!e:lievable performa*% ];nce c=-irculati $ng a-;round ^=@ the emotions of -f=(ear and menta/l pain. The ot\\ !he@ `r actors a re go!od, too. The final ly, howe=ver,, may not #give.\ too positive%?-( a sight _abou=t female]%[ s ^ ex sinc-^e th? ey al%_l* are expressed rathe(r negat .i;,v *ely in t[ he ^ film, one way or[-\+ a [n=other. # Still ^ this is easily among th]e !`most noteworthy^ in th+(]e genre, not as bloody as$- the) Ar gento !+,films, for exampl e, b (ut equa@/)lly suspens #eful and ^=v+=isually also int@erest/,+i@#ng.