剧情简介
《等待)-方舟》讲述的是什么故事？
《等待)-方舟》Set in\=( an underground du% ngeon inhabited by bund=?le ]d, ragged## h#um%?)an beings, af ter the` nuclear holoc# aust. Th$]e s(tory foll(: ows,%: the. wanderings of a h]=\ero thr^*oug./:h the -si; (tuations of surviva\ l. People w#`ait for the Ark to ! arr , ive and( rescue them while their^` habitat ;fall?+/s apa rt.@ Del vin+ g deep in\? to t he dusty an %d`-% long abandonded vaults of b]^-cinema in ;`_ search .!of lost gems always leaves me with a bitter$/swe)et taste. On one hand+ the discovery o`$)f unexpecte;\d$@ gems whe?_re[` n;o one would think them!% possible $-is a re^\)wardi^ng exper= ience. \_- On .the oth(*er ha?:nd t- hough it makes o`ne):] wonder how many ( !of these remarka=.ble lo) =w-budg%et oddities, personal l\o/ ve :!-affairs of _@dir*ectors ne .ver quite famo,?\ us and now al]l bu?% t=$ forg!otten, h^;ave, almost foreve!r sli\p ped f ;rom - me_mo) =r (y ! n*@ any^):# =:_case w# hat we have her\e is a little po st!$-ap !oc, #,alypt(]ic ge] * m- from Poland t %h (+at is\?? really better $@]than it has any +` right to. The d ystop ian near fut%u@ re of. O-BI,_\ O- $BA finds a group o[.f [+sur:vivors _of !-the nuclear war - th,*/-at r=@avag ed !the(%_ Ear)_th inha?biting[ an unde_-@rwor`$ ld co?^ncrete` bu ?nker ? a([nd bidi % (ng* t ]heir time as th ey wait f ;@-or;[= -)]the mysterious Ark` , an= ai,`?r ship of some #.kind th%`at wil l come and sa#)*ve th($ ( em. The$; Ark !,#pro v\[`?es !.to- ^, be a,n el)aborate hoax, [+`ca# )refu,lly designed [/-to give hope to the malnouris[-h-e [d]! /*$_an d desperate deni zens of $ the \?bunk@=e! r, wh#@/il= e i),n the . meantime\ th*e dome that +$ s=e #parat._es thei:;/r miserable/* ex##is:tence from th[\e nu clea_ r winte$ r outside is slo\wly ca\ving in. W(hat fi+ + rs : t striked m/%e a=(bout;` the movie +is the desi+(%gn of the bunker an=,/d the depiction of [the survi^.v ors. The ?survivors are ga?)unt, filthy+%( and te#rrib le$.,)/-loo_-+king penit# +ents,; dr?essed in ? ra![gs =._%and aimlessly ]*wanderi./ ng` the %neon- !.lit hall @s of ^ the bunker like automat^[)ons. T`+he bun_];ker is a rundown, seedy plac ?: e, w _ith bright neon lights* peering`=)), fro@[m/ /,all side [:s like t)he eyes of. maligna# ]=nt be\ast s. On)_( one hand it =is a sl)(*ight_l?:y 80's d]:epict ion of the dystopian fu ture but the movie %never [$s`-toops down to `MA(D .@ M, AX cheese. Instead it combines biting\ $/# pol]itical =* satir+e wi(t h the blea*[k outlook of )a w^ orld with no f _uture, black com?`edy with b-?arbs on ap[$-(athy, - rel( igion an )?d p))ower. The su ;rviv *!ors, for _ example, a.re fe .^d some = kind]+ of , flour dro: pping from _ (a tube t= hat] hovers in the a]\ir - _ l\\ater ^(]on _?we discover the food \ supervisor us [(=es _ book s) and the Bible ) i=)_t! [s:`elf as fille @r fo: r `t*@his meagre meal. Th]ere are`^ ] (;m\`!=^a-ny such\ sh?#ort symbolic .tou[ che%=]s, per :,haps not l_\ife-ch?anging or fai +.th[-rest =/:oring, yet pla=yf@ul, clever and[ inspired. )O.@ne thing is f%,or sure; O-BI, O:_#-BA is / not your run-o^ f-the-[( mill sci-fi sch\! loc#+ k@+. It overcomes its modest budget with c reativity ]`)a,[$nd: has g /@ enuine,\ artisti c aspirat @!ions both from_ a wri ]ting and dire) cting perspecti[;#ve. My opinio.[\n $ is that it?*= sh -$ou ,ld h ave been #filmed in , @black a%#nd whit +*\e ins ;$tead of col , ou :/r) t:ho?ugh. Th%;@e dire #ctor u/@ ses atmosp \,he,+%ric light an #]d sha) #dow to g ^%re%a( t effect[) and it wou)ld have regist- e!`red eve n b%%/ e tter i ^n stark bl@-ack and* wh,ite/.+ _ The #+=;blue- -green neon on +^ the othe_# `r .# hand ou \tstays its we+%lc[ ome afte;$r a w@-h\ile. Just #%a min]or gripe in!/ an other? `!wise solid b-movie with its h/^eart : %se t in all the)$. ; ri,;[g :+ht places. I/magin+@e )[a [^less bleak\( TH+_E RO$.]%AD (C(ormac McCar * thy) bein/_g injected wi + th the satire a;n@]d humour of DR.STRANGELOVE an!#-d you're getting t] !here. See it: ] if/ you can find `.it.
一、《等待)-方舟》是哪一年上映的？
《等待)-方舟》是皮奥特尔·舒尔金于1985年拍摄的一部经典科幻片。此片开创其它当代科幻片的先河，《等待)-方舟》上映时票房稳坐前三，创下当年纪录。当时耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔均为最佳主角，耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔以精彩演技和突出形象，奠定在其它影坛地位。耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔饰演角色造型多年后仍为人所模仿。皮奥特尔·舒尔金之前曾被人怀疑其能力，而《等待)-方舟》却奠定皮奥特尔·舒尔金科幻片风格。《等待)-方舟》首映时曾获海外科幻片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1985年代）其它（其它）优秀科幻片齐名。
二、被称为科幻片的开先河之作的《等待)-方舟》，是皮奥特尔·舒尔金最好的作品吗?
从皮奥特尔·舒尔金斩获科幻片最佳导演 我就觉得这部《等待)-方舟》是他最好的科幻片。虽然皮奥特尔·舒尔金后来还拍出来了评价特别好的科幻片，但是《等待)-方舟》是他科幻片的代表作品。
三、《等待)-方舟》为什么可以成为经典？
提起其它，人们就肯定会说出《等待)-方舟》的名字。这部由皮奥特尔·舒尔金导演，耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔主演的《等待)-方舟》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连皮奥特尔·舒尔金导演和耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔，都没想到这部科幻片会得到这样好的反响。皮奥特尔·舒尔金先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《等待)-方舟》开拍之前，耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔已经有几年年无戏可拍，而耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔主演的科幻片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在科幻片中投入的热情，是我们难以想象的，其实《等待)-方舟》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典科幻片，也成就了他们自己！
四、如何评价《等待)-方舟》?
《等待)-方舟》口碑非常好深受广大观众喜爱，《等待)-方舟》一经播放立刻引来无数人点赞，不仅耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔演的好而且该科幻片故事情节也非常紧凑，星空影院（msdts.com）观看起来特别流畅同时还能扣人心弦，虽然目前《等待)-方舟》收视率一般但是该片目前受欢迎程度已经名列前茅。该科幻片主演耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔，她在该科幻片中的演技可圈可点，受到耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔演的好而且该科幻片迷的认可。
五、《等待)-方舟》科幻片的主要内容
《等待)-方舟》是一部科幻片科幻片，由导演：皮奥特尔·舒尔金执导，主演：耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔
《等待)-方舟》Set in\=( an underground du% ngeon inhabited by bund=?le ]d, ragged## h#um%?)an beings, af ter the` nuclear holoc# aust. Th$]e s(tory foll(: ows,%: the. wanderings of a h]=\ero thr^*oug./:h the -si; (tuations of surviva\ l. People w#`ait for the Ark to ! arr , ive and( rescue them while their^` habitat ;fall?+/s apa rt.@ Del vin+ g deep in\? to t he dusty an %d`-% long abandonded vaults of b]^-cinema in ;`_ search .!of lost gems always leaves me with a bitter$/swe)et taste. On one hand+ the discovery o`$)f unexpecte;\d$@ gems whe?_re[` n;o one would think them!% possible $-is a re^\)wardi^ng exper= ience. \_- On .the oth(*er ha?:nd t- hough it makes o`ne):] wonder how many ( !of these remarka=.ble lo) =w-budg%et oddities, personal l\o/ ve :!-affairs of _@dir*ectors ne .ver quite famo,?\ us and now al]l bu?% t=$ forg!otten, h^;ave, almost foreve!r sli\p ped f ;rom - me_mo) =r (y ! n*@ any^):# =:_case w# hat we have her\e is a little po st!$-ap !oc, #,alypt(]ic ge] * m- from Poland t %h (+at is\?? really better $@]than it has any +` right to. The d ystop ian near fut%u@ re of. O-BI,_\ O- $BA finds a group o[.f [+sur:vivors _of !-the nuclear war - th,*/-at r=@avag ed !the(%_ Ear)_th inha?biting[ an unde_-@rwor`$ ld co?^ncrete` bu ?nker ? a([nd bidi % (ng* t ]heir time as th ey wait f ;@-or;[= -)]the mysterious Ark` , an= ai,`?r ship of some #.kind th%`at wil l come and sa#)*ve th($ ( em. The$; Ark !,#pro v\[`?es !.to- ^, be a,n el)aborate hoax, [+`ca# )refu,lly designed [/-to give hope to the malnouris[-h-e [d]! /*$_an d desperate deni zens of $ the \?bunk@=e! r, wh#@/il= e i),n the . meantime\ th*e dome that +$ s=e #parat._es thei:;/r miserable/* ex##is:tence from th[\e nu clea_ r winte$ r outside is slo\wly ca\ving in. W(hat fi+ + rs : t striked m/%e a=(bout;` the movie +is the desi+(%gn of the bunker an=,/d the depiction of [the survi^.v ors. The ?survivors are ga?)unt, filthy+%( and te#rrib le$.,)/-loo_-+king penit# +ents,; dr?essed in ? ra![gs =._%and aimlessly ]*wanderi./ ng` the %neon- !.lit hall @s of ^ the bunker like automat^[)ons. T`+he bun_];ker is a rundown, seedy plac ?: e, w _ith bright neon lights* peering`=)), fro@[m/ /,all side [:s like t)he eyes of. maligna# ]=nt be\ast s. On)_( one hand it =is a sl)(*ight_l?:y 80's d]:epict ion of the dystopian fu ture but the movie %never [$s`-toops down to `MA(D .@ M, AX cheese. Instead it combines biting\ $/# pol]itical =* satir+e wi(t h the blea*[k outlook of )a w^ orld with no f _uture, black com?`edy with b-?arbs on ap[$-(athy, - rel( igion an )?d p))ower. The su ;rviv *!ors, for _ example, a.re fe .^d some = kind]+ of , flour dro: pping from _ (a tube t= hat] hovers in the a]\ir - _ l\\ater ^(]on _?we discover the food \ supervisor us [(=es _ book s) and the Bible ) i=)_t! [s:`elf as fille @r fo: r `t*@his meagre meal. Th]ere are`^ ] (;m\`!=^a-ny such\ sh?#ort symbolic .tou[ che%=]s, per :,haps not l_\ife-ch?anging or fai +.th[-rest =/:oring, yet pla=yf@ul, clever and[ inspired. )O.@ne thing is f%,or sure; O-BI, O:_#-BA is / not your run-o^ f-the-[( mill sci-fi sch\! loc#+ k@+. It overcomes its modest budget with c reativity ]`)a,[$nd: has g /@ enuine,\ artisti c aspirat @!ions both from_ a wri ]ting and dire) cting perspecti[;#ve. My opinio.[\n $ is that it?*= sh -$ou ,ld h ave been #filmed in , @black a%#nd whit +*\e ins ;$tead of col , ou :/r) t:ho?ugh. Th%;@e dire #ctor u/@ ses atmosp \,he,+%ric light an #]d sha) #dow to g ^%re%a( t effect[) and it wou)ld have regist- e!`red eve n b%%/ e tter i ^n stark bl@-ack and* wh,ite/.+ _ The #+=;blue- -green neon on +^ the othe_# `r .# hand ou \tstays its we+%lc[ ome afte;$r a w@-h\ile. Just #%a min]or gripe in!/ an other? `!wise solid b-movie with its h/^eart : %se t in all the)$. ; ri,;[g :+ht places. I/magin+@e )[a [^less bleak\( TH+_E RO$.]%AD (C(ormac McCar * thy) bein/_g injected wi + th the satire a;n@]d humour of DR.STRANGELOVE an!#-d you're getting t] !here. See it: ] if/ you can find `.it.