剧情简介
《嗨，妈-妈！》讲述的是什么故事？
《嗨，妈-妈！》In t @ hi^ s very\,/ late;@) 60's -irrevere_$ \nt, al ?+\mos- )t an archic low-budget f[i/ `lm, Bri ?:an(- D,%.e Palm\^+a defines more of hi-[s ?] ^stran_- #ge,*:.) giv en Hitchcoc )k-like$- fascination of v[/oyeurism, and attacks+: th/%e issues o ;f .?th $e: day. The most prom inent of w%_hich, both cringe-in=ducin? /g and just pla in funny,` is when h e focus e]s on the b;la ck-power mo.(vement (a b:( lack woman ha\?:n(,!*ding out fl `ier?s asking whit:e peo@.ple__ 'do you know wha)t it's `?like,#! %.to+\[? be bla;ck')$@, whic h -is some%*;/]thing th.at could only work fo^ ( r that` t ime and place, ` not b (e? fore -or now., B; %ut one of the key th,ings `t=o the+,/ interest in the fi[!)lm is #,27 year old R+o ;/ber( -t De $Ni@?ro +!(/not :*his first or ) ?`last fi=) lm^@ + w.ith the directo/(r) , w $ ho plays this character who sits in a room+ lo[?oking o:%ut t; hroug[ h hi)s `teles,cope at, women@ in thei+[ \r roo%: ms, s `etti ng up) phony d ; eal$s,#: and in the end basically throwing b`% ombs. Those who h[ av ,e said t# hat D?e N-iro can't act and just is hims elf ) in eve,ry [mo#_/ +vi-/e s ]ho,:uld see this movi(=e, if o# nl=y out ?!+?o. f s)ome minor^ c,:uriosit@^@y. A couple o!^;f ; times in the film it'` s actua lly\] not ` funny, as wh `e.^n there's= ] a ` d_,i ]stu[+$rbance in )a ]+ b,-lack-$powe%:@r me= --_e*:$t=ing (; ^fi[.lmed in #?a g* rain$ er, .roug;her style than the r( est o+%f th\ ?e film^). In _ the end i _:t's capped off w= ?ith a ramb/,*ling ? mo+ [nologue in an-_ interview that tops `%?De Niro's in King o(+\f Comedy. It'@. s prett :y obvious where ?De P?,alma's_@], care/*/er w ^[ould go a f:ter)* \ t(his, into s$#!li :ghtly mor/[e *! mainstream H$\o llywood ]%terr(`it _ory, bu t al ?# l of his tr\ ademarks ar*;e her$#e; th` e dark, almost nail-;%biting co#medy, the ? =perfectl.y timed style of voyeu rism, and in_tere :)sti;]n ,g@ ? usage of locals. T`hink if De Pal- .ma an]@ d De Niro did a Mo +nty Python f,`ilm, only even) more low- *budget and -?in i^[ ts New York%.- way /just a s off-t*he-hing es, an#d y ou got Hi, Mo.]m! It also :con %tains an ecc:entric an ;d funny `soundtr #)ack. im db comment
一、《嗨，妈-妈！》是哪一年上映的？
《嗨，妈-妈！》是布莱恩·德·帕尔玛于1970年拍摄的一部经典喜剧片。此片开创美国当代喜剧片的先河，《嗨，妈-妈！》上映时票房稳坐前三，创下当年纪录。当时罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特均为最佳主角，罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特以精彩演技和突出形象，奠定在美国影坛地位。罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特饰演角色造型多年后仍为人所模仿。布莱恩·德·帕尔玛之前曾被人怀疑其能力，而《嗨，妈-妈！》却奠定布莱恩·德·帕尔玛喜剧片风格。《嗨，妈-妈！》首映时曾获海外喜剧片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1970年代）美国（美国）优秀喜剧片齐名。
二、被称为喜剧片的开先河之作的《嗨，妈-妈！》，是布莱恩·德·帕尔玛最好的作品吗?
从布莱恩·德·帕尔玛斩获喜剧片最佳导演 我就觉得这部《嗨，妈-妈！》是他最好的喜剧片。虽然布莱恩·德·帕尔玛后来还拍出来了评价特别好的喜剧片，但是《嗨，妈-妈！》是他喜剧片的代表作品。
三、《嗨，妈-妈！》为什么可以成为经典？
提起美国，人们就肯定会说出《嗨，妈-妈！》的名字。这部由布莱恩·德·帕尔玛导演，罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特主演的《嗨，妈-妈！》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连布莱恩·德·帕尔玛导演和罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特，都没想到这部喜剧片会得到这样好的反响。布莱恩·德·帕尔玛先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《嗨，妈-妈！》开拍之前，罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特已经有几年年无戏可拍，而罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特主演的喜剧片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在喜剧片中投入的热情，是我们难以想象的，其实《嗨，妈-妈！》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典喜剧片，也成就了他们自己！
四、如何评价《嗨，妈-妈！》?
《嗨，妈-妈！》口碑非常好深受广大观众喜爱，《嗨，妈-妈！》一经播放立刻引来无数人点赞，不仅罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特演的好而且该喜剧片故事情节也非常紧凑，星空影院（msdts.com）观看起来特别流畅同时还能扣人心弦，虽然目前《嗨，妈-妈！》收视率一般但是该片目前受欢迎程度已经名列前茅。该喜剧片主演罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特，她在该喜剧片中的演技可圈可点，受到罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特演的好而且该喜剧片迷的认可。
五、《嗨，妈-妈！》喜剧片的主要内容
《嗨，妈-妈！》是一部喜剧片喜剧片，由导演：布莱恩·德·帕尔玛执导，主演：罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特
《嗨，妈-妈！》In t @ hi^ s very\,/ late;@) 60's -irrevere_$ \nt, al ?+\mos- )t an archic low-budget f[i/ `lm, Bri ?:an(- D,%.e Palm\^+a defines more of hi-[s ?] ^stran_- #ge,*:.) giv en Hitchcoc )k-like$- fascination of v[/oyeurism, and attacks+: th/%e issues o ;f .?th $e: day. The most prom inent of w%_hich, both cringe-in=ducin? /g and just pla in funny,` is when h e focus e]s on the b;la ck-power mo.(vement (a b:( lack woman ha\?:n(,!*ding out fl `ier?s asking whit:e peo@.ple__ 'do you know wha)t it's `?like,#! %.to+\[? be bla;ck')$@, whic h -is some%*;/]thing th.at could only work fo^ ( r that` t ime and place, ` not b (e? fore -or now., B; %ut one of the key th,ings `t=o the+,/ interest in the fi[!)lm is #,27 year old R+o ;/ber( -t De $Ni@?ro +!(/not :*his first or ) ?`last fi=) lm^@ + w.ith the directo/(r) , w $ ho plays this character who sits in a room+ lo[?oking o:%ut t; hroug[ h hi)s `teles,cope at, women@ in thei+[ \r roo%: ms, s `etti ng up) phony d ; eal$s,#: and in the end basically throwing b`% ombs. Those who h[ av ,e said t# hat D?e N-iro can't act and just is hims elf ) in eve,ry [mo#_/ +vi-/e s ]ho,:uld see this movi(=e, if o# nl=y out ?!+?o. f s)ome minor^ c,:uriosit@^@y. A couple o!^;f ; times in the film it'` s actua lly\] not ` funny, as wh `e.^n there's= ] a ` d_,i ]stu[+$rbance in )a ]+ b,-lack-$powe%:@r me= --_e*:$t=ing (; ^fi[.lmed in #?a g* rain$ er, .roug;her style than the r( est o+%f th\ ?e film^). In _ the end i _:t's capped off w= ?ith a ramb/,*ling ? mo+ [nologue in an-_ interview that tops `%?De Niro's in King o(+\f Comedy. It'@. s prett :y obvious where ?De P?,alma's_@], care/*/er w ^[ould go a f:ter)* \ t(his, into s$#!li :ghtly mor/[e *! mainstream H$\o llywood ]%terr(`it _ory, bu t al ?# l of his tr\ ademarks ar*;e her$#e; th` e dark, almost nail-;%biting co#medy, the ? =perfectl.y timed style of voyeu rism, and in_tere :)sti;]n ,g@ ? usage of locals. T`hink if De Pal- .ma an]@ d De Niro did a Mo +nty Python f,`ilm, only even) more low- *budget and -?in i^[ ts New York%.- way /just a s off-t*he-hing es, an#d y ou got Hi, Mo.]m! It also :con %tains an ecc:entric an ;d funny `soundtr #)ack. im db comment