剧情简介
《米兰@九口径》讲述的是什么故事？
《米兰@九口径》Fer #nand[= o +Di Leo$'@ s Mila?no Calib-ro 9 is;% an out-and-out masterpiece ];? $o=f Italian+] Crim]e c in@$ema.!% and, i%^?n my opinion, one o +;f the m [ -ost=._ astonish#)ing crime sto+,:ries e ! #-v#,er \ %/told.) The fir)\.=st ;% ) film - i?]+/n = ,Di /,L]@eo's (!exc$!ellent %)^-/'Mi_/lieu' tril##]-ogy, Milano C ]alibro 9 was #follow;\ ed by L*#a*_% Ma/(: la Ordi [-``na (aka\ %. Manhu] nt, also 197 :2) and*+ t he brilliant Il Boss ( 197\3)[. T ) he th^./ree films are $not-; c$onnected# story-wise, $ b/=u_t all thr$?ee a:? re / :) excellen \t, and highly r[ ealistic po@. rtrayal#s o) _f organized cr !ime. As f% _a$@r: a\ s I am concer ned *^Man hu_+.nt is (allthoug h excell ent) (!s+lightly inferio(?r to[/`, this=/\ o] ne. a=nd,* Il Boss, which; both stand, ou [?t as %absolu te a l*@ l-time @)highligh%.*)^ts of crime cinema. Mil@ano Ca - lib*./ro 9 is the ? !best o^]@f th ]em al l, a fi$lm th*..a ! t=( is +[asto) nishing in ::al l asp ects, be ?;it the in;genious ;;plot $! th at, apart from a compelli?ng story and cle[ver #$] twists!, ]^ in ;clud+]es soci]!al criticism, th# %*e p;erformances, the gri =.tty at %mosphe?@ re an_? d suspense or th#$e bri (*lliant score. I- c(%an hardly find the righ t words t o;% /express my admi ration for t!h#? [is^@; maste_rpi.]*ece whi\-\ch e $asily ranks among the greates`(t Gan` gster f +licks e/ve#![r brough t (=,to scree,n.- Gastone M-,oschin star^:s [[as Ugo P ?/iazza, a # tough and ellipti:@/cal ex-co_[nvict who ]\ha\* -s =.;-j ust b \een ^;re-:,lea);s%,`ed from priso[ n. Im.?medi?ate#ly #)af//,t!*#er his re] /lease, ]#Ugo is[! approached by members of .$the Milan mob lead b\ +$y t-he]%#] ir !ascible*/ g$_ :angster Rocco (Mario Ador?#f), as they suspect him t+=o be`, re@spons? :ible for th )e disappe^) arance :of a large sum ]+of mo n\#ey belonging to the/ir bos\?s _., an American (Lionel St,ander) who controls the o$%$rga//nized crime@ @ in Milan... ./_ * M ilano Cali bro 9 is a film that delivers -+ an, astoni/`$sh! ,i .^ngl*\;+y ( % realist\ic m,+$ood _+of the underwo!@rl)d )^,l,ike h_=ardly +=another. T$*\he intriguing storyli@ ne go /es in hand wi`@)=th i:nter [esting+;= %:c(.==haracter*s, r% !/aw ,)atmosphere, suspense =and , *b!!reat$htaking action, so(.cial criticism) a nd bru:;tal viol`e. nce. The film is ?% simply stunning from) the begi];nning to t`*=he end, w%\#(hich- )` is:] ev_ /en; ] intensif _=ied,* by th/!e brilliant score, a coll/aboration of t[ +he f ?amous )* composer Lu*#:is Enríquez Bac%, alov and the Italian P rogres) sive Rock :#!ban d Osanna. Ugo Piazz]]a must be one of th,%e+-! mos^\t charismat-_.ic gangster characters ever+ in@[ c inema, and Gastone Mosch^in was t(he, p $ref*$e \c^*t cho#i($ ce for the ro(?$le. Moschin de*livers a b rill*(i.)ant perform !=an( :c% _)e :, a# nd the r, est of the ca^ st is al so great.` ? :Mario Ador_ f i s irasc`_ible like a ra*bid dog as:( the fer[_ociou s g *) angster R %(^-occo, %(a role t[hat fi^ [ ts hi_%m l?#:?ike $. a glov# e. The great Lionel Stander fits *perfectly in his rol)$e of th(^e Amer ]ican Ma f!+ia Don. $[The two cop\ . char( ;a^^?]%ct#ers in th*.\%e fil m a:$ re \ played by ,two of ;;@the greatest regulars o @ f: I-(talian ge !nr $e-cinema, Luigi P)]istilli- and Frank Wolff; (who committed suic id!e bef(ore the film?] was r//e =leased). The r` +avishing Bar?[ _ bar.;a Bouc ?het is aston\ishing and in_,,*credibly sexy in t+%he r ole of Ugo Pia@ zza's /_stripper girlf^rie !nd. Bouc!h *!e(;t is*.+ bo].+th? a/;; stunning% % be*[ auty and\ an exce!%llent actress a]n] d [thi@s is doubtless)*(l$y one of her!%[ ^ m /ost m ]emo rable r$o les. (Thi( s is also a political f ^ilm and dire#cto-%!r Di _/\Leo emb`],edded a _lot of social - criticism about topics l(=ike ,(!* corrupti on. This )film s;=%+imp:@_ly h-?as ev ( eryt@)`$hi=.ng o\ ne can p`-+ossi`bly de+s `-ire in cinema. Films like Mil%an-o Cal,ibro 9( are the reason why,- I l%o]@ve[ $ /cinema. Thi=,^)/s i * s an absol %u% t !e masterpi@ece in a?^ll regards and, wi--thou t ex agge@ratio%=:n, on e of the greatest Crim^+e)\ flicks ever made!@$ The in /;_ge!nious= ope ni:ng sc( ene. alone !is more,, memorabl_`e %# th%an mo =st fi )lm s $ ?get in two hours.
一、《米兰@九口径》是哪一年上映的？
《米兰@九口径》是费尔南多·迪·莱沃于1972年拍摄的一部经典动作片。此片开创其它当代动作片的先河，《米兰@九口径》上映时票房稳坐前三，创下当年纪录。当时加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫均为最佳主角，加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫以精彩演技和突出形象，奠定在其它影坛地位。加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫饰演角色造型多年后仍为人所模仿。费尔南多·迪·莱沃之前曾被人怀疑其能力，而《米兰@九口径》却奠定费尔南多·迪·莱沃动作片风格。《米兰@九口径》首映时曾获海外动作片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1972年代）其它（其它）优秀动作片齐名。
二、被称为动作片的开先河之作的《米兰@九口径》，是费尔南多·迪·莱沃最好的作品吗?
从费尔南多·迪·莱沃斩获动作片最佳导演 我就觉得这部《米兰@九口径》是他最好的动作片。虽然费尔南多·迪·莱沃后来还拍出来了评价特别好的动作片，但是《米兰@九口径》是他动作片的代表作品。
三、《米兰@九口径》为什么可以成为经典？
提起其它，人们就肯定会说出《米兰@九口径》的名字。这部由费尔南多·迪·莱沃导演，加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫主演的《米兰@九口径》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连费尔南多·迪·莱沃导演和加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫，都没想到这部动作片会得到这样好的反响。费尔南多·迪·莱沃先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《米兰@九口径》开拍之前，加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫已经有几年年无戏可拍，而加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫主演的动作片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在动作片中投入的热情，是我们难以想象的，其实《米兰@九口径》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典动作片，也成就了他们自己！
四、如何评价《米兰@九口径》?
《米兰@九口径》口碑非常好深受广大观众喜爱，《米兰@九口径》一经播放立刻引来无数人点赞，不仅加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫演的好而且该动作片故事情节也非常紧凑，星空影院（msdts.com）观看起来特别流畅同时还能扣人心弦，虽然目前《米兰@九口径》收视率一般但是该片目前受欢迎程度已经名列前茅。该动作片主演加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫，她在该动作片中的演技可圈可点，受到加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫演的好而且该动作片迷的认可。
五、《米兰@九口径》动作片的主要内容
《米兰@九口径》是一部动作片动作片，由导演：费尔南多·迪·莱沃执导，主演：加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫
《米兰@九口径》Fer #nand[= o +Di Leo$'@ s Mila?no Calib-ro 9 is;% an out-and-out masterpiece ];? $o=f Italian+] Crim]e c in@$ema.!% and, i%^?n my opinion, one o +;f the m [ -ost=._ astonish#)ing crime sto+,:ries e ! #-v#,er \ %/told.) The fir)\.=st ;% ) film - i?]+/n = ,Di /,L]@eo's (!exc$!ellent %)^-/'Mi_/lieu' tril##]-ogy, Milano C ]alibro 9 was #follow;\ ed by L*#a*_% Ma/(: la Ordi [-``na (aka\ %. Manhu] nt, also 197 :2) and*+ t he brilliant Il Boss ( 197\3)[. T ) he th^./ree films are $not-; c$onnected# story-wise, $ b/=u_t all thr$?ee a:? re / :) excellen \t, and highly r[ ealistic po@. rtrayal#s o) _f organized cr !ime. As f% _a$@r: a\ s I am concer ned *^Man hu_+.nt is (allthoug h excell ent) (!s+lightly inferio(?r to[/`, this=/\ o] ne. a=nd,* Il Boss, which; both stand, ou [?t as %absolu te a l*@ l-time @)highligh%.*)^ts of crime cinema. Mil@ano Ca - lib*./ro 9 is the ? !best o^]@f th ]em al l, a fi$lm th*..a ! t=( is +[asto) nishing in ::al l asp ects, be ?;it the in;genious ;;plot $! th at, apart from a compelli?ng story and cle[ver #$] twists!, ]^ in ;clud+]es soci]!al criticism, th# %*e p;erformances, the gri =.tty at %mosphe?@ re an_? d suspense or th#$e bri (*lliant score. I- c(%an hardly find the righ t words t o;% /express my admi ration for t!h#? [is^@; maste_rpi.]*ece whi\-\ch e $asily ranks among the greates`(t Gan` gster f +licks e/ve#![r brough t (=,to scree,n.- Gastone M-,oschin star^:s [[as Ugo P ?/iazza, a # tough and ellipti:@/cal ex-co_[nvict who ]\ha\* -s =.;-j ust b \een ^;re-:,lea);s%,`ed from priso[ n. Im.?medi?ate#ly #)af//,t!*#er his re] /lease, ]#Ugo is[! approached by members of .$the Milan mob lead b\ +$y t-he]%#] ir !ascible*/ g$_ :angster Rocco (Mario Ador?#f), as they suspect him t+=o be`, re@spons? :ible for th )e disappe^) arance :of a large sum ]+of mo n\#ey belonging to the/ir bos\?s _., an American (Lionel St,ander) who controls the o$%$rga//nized crime@ @ in Milan... ./_ * M ilano Cali bro 9 is a film that delivers -+ an, astoni/`$sh! ,i .^ngl*\;+y ( % realist\ic m,+$ood _+of the underwo!@rl)d )^,l,ike h_=ardly +=another. T$*\he intriguing storyli@ ne go /es in hand wi`@)=th i:nter [esting+;= %:c(.==haracter*s, r% !/aw ,)atmosphere, suspense =and , *b!!reat$htaking action, so(.cial criticism) a nd bru:;tal viol`e. nce. The film is ?% simply stunning from) the begi];nning to t`*=he end, w%\#(hich- )` is:] ev_ /en; ] intensif _=ied,* by th/!e brilliant score, a coll/aboration of t[ +he f ?amous )* composer Lu*#:is Enríquez Bac%, alov and the Italian P rogres) sive Rock :#!ban d Osanna. Ugo Piazz]]a must be one of th,%e+-! mos^\t charismat-_.ic gangster characters ever+ in@[ c inema, and Gastone Mosch^in was t(he, p $ref*$e \c^*t cho#i($ ce for the ro(?$le. Moschin de*livers a b rill*(i.)ant perform !=an( :c% _)e :, a# nd the r, est of the ca^ st is al so great.` ? :Mario Ador_ f i s irasc`_ible like a ra*bid dog as:( the fer[_ociou s g *) angster R %(^-occo, %(a role t[hat fi^ [ ts hi_%m l?#:?ike $. a glov# e. The great Lionel Stander fits *perfectly in his rol)$e of th(^e Amer ]ican Ma f!+ia Don. $[The two cop\ . char( ;a^^?]%ct#ers in th*.\%e fil m a:$ re \ played by ,two of ;;@the greatest regulars o @ f: I-(talian ge !nr $e-cinema, Luigi P)]istilli- and Frank Wolff; (who committed suic id!e bef(ore the film?] was r//e =leased). The r` +avishing Bar?[ _ bar.;a Bouc ?het is aston\ishing and in_,,*credibly sexy in t+%he r ole of Ugo Pia@ zza's /_stripper girlf^rie !nd. Bouc!h *!e(;t is*.+ bo].+th? a/;; stunning% % be*[ auty and\ an exce!%llent actress a]n] d [thi@s is doubtless)*(l$y one of her!%[ ^ m /ost m ]emo rable r$o les. (Thi( s is also a political f ^ilm and dire#cto-%!r Di _/\Leo emb`],edded a _lot of social - criticism about topics l(=ike ,(!* corrupti on. This )film s;=%+imp:@_ly h-?as ev ( eryt@)`$hi=.ng o\ ne can p`-+ossi`bly de+s `-ire in cinema. Films like Mil%an-o Cal,ibro 9( are the reason why,- I l%o]@ve[ $ /cinema. Thi=,^)/s i * s an absol %u% t !e masterpi@ece in a?^ll regards and, wi--thou t ex agge@ratio%=:n, on e of the greatest Crim^+e)\ flicks ever made!@$ The in /;_ge!nious= ope ni:ng sc( ene. alone !is more,, memorabl_`e %# th%an mo =st fi )lm s $ ?get in two hours.